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The Palgrave Handbook of Posthumanism in Film and Television

E-BookPDF1 - PDF WatermarkE-Book
450 Seiten
Englisch
Palgrave Macmillan UKerschienen am13.01.20161st ed. 2015
Verfügbare Formate
BuchGebunden
EUR202,50
BuchKartoniert, Paperback
EUR181,89
E-BookPDF1 - PDF WatermarkE-Book
EUR171,19

Produkt

Details
Weitere ISBN/GTIN9781137430328
ProduktartE-Book
EinbandartE-Book
FormatPDF
Format Hinweis1 - PDF Watermark
FormatE107
Erscheinungsjahr2016
Erscheinungsdatum13.01.2016
Auflage1st ed. 2015
Seiten450 Seiten
SpracheEnglisch
IllustrationenXXIII, 450 p.
Artikel-Nr.1975982
Rubriken
Genre9200

Inhalt/Kritik

Inhaltsverzeichnis
Notes on Contributors
1. Posthumanism in Film and Television; Michael Hauskeller, Thomas D. Philbeck and Curtis D. Carbonell
PART I: PAVING THE WAY TO POSTHUMANISM: THE PRECURSORS
2. From DelGuat to ScarJo; William Brown
3. Self-Immolation by Technology. Jean Baudrillard and the Posthuman in Film and Television; Jon Baldwin
4. Derrida on Screen; Stefan Herbrechter
5. Bruno Latour: From the Nonmodern to the Posthuman; T. Hugh Crawford
6. Friedrich Nietzsche and the Transhuman in Film and Television; Babette Babich
PART II: VARIETIES OF PEOPLE-TO-COME: POSTHUMAN BECOMINGS
7. Terminated: The Life and Death of the Cyborg in Film and Television; Rhys Owain Thomas
8. Of Iron Men and Green Monsters: Superheroes and Posthumanism; Dan Hassler-Forest
9. Growing Your Own: Monsters from the Lab and Molecular Ethics in Post-Humanist Film; Anna Powell
10. Post-Singularity Entities in Film and TV; David Roden
11. Chimeras and Hybrids. The Digital Swarms of the Posthuman Image; Drew Ayers
PART III: RISE OF THE MACHINES: POSTHUMAN INTELLECTS
12: Androids and the Posthuman in Television and Film; Kevin LaGrandeur
13. 'Change for the Machines'? Posthumanism as Digital Sentience; Sherryl Vint
14. Alive in the Net; Jay Clayton and Jeff Menne
15. Autonomous Fighting Machines. Narratives and Ethics; Donal O'Mathuna
PART IV: BODY AND SOUL: POSTHUMAN SUBJECTIVITIES
16. Contest of Tropes. Screened Posthuman Subjectivities; Curtis D. Carbonell
17. Representations of Cybersex in Film and Television; Hilary Wheaton
18. At Home In and Beyond Our Skin: Posthuman Embodiment; Joel Krueger
19. Constructed Worlds. Posthumanism in Film, Television and Other Cosmopoietic Media; Ivan Callus
20. Tanya Krzywinska & Douglas Brown, Games, Gamers, and Posthumanism
PART V: BETTER HUMANS: POSTHUMAN CAPACITIES
21. 'Life's a Bitch, and Then You Don't Die.' Postmortality in Film and Television; Michael Hauskeller
22. A New Lease on Life: A Lacanian Analysis of Cognitive Enhancement Cinema; Hub Zwart
23. Limitless? There's a Pill for That; Kyle McNease
24. Posthumans and Democracy in Popular Culture; James Hughes
25. Negative Feelings as Emotional Enhancement; Tarja Laine
PART VI: CREATING DIFFERENCE AND IDENTITY: POSTHUMAN COMMUNITIES
26. Biopleasures. Posthumanism and the Technological Imaginary in Utopian and Dystopian Film; Ralph Pordzik
27. Of Posthuman Born. Gender, Utopia, and the Posthuman, in Films and TV; Francesca Ferrando
28. Sharing Social Context: Is Community with the Posthuman Possible?; David Meeler and Eric Hill
29. Our Posthuman Skin Condition; Teodora Manea
30. Muddy Worlds: Re-Viewing Environmental Narratives; John Bruni
PART VII: US AND THEM: POSTHUMAN RELATIONSHIPS
31. Executing Species: Animal Attractions in Thomas Edison and Douglas Gordon; Anat Pick
32. The Sun Never Set on the Human Empire: Haunts of Humanism in the Films; Phil Henderson
33. Uncanny Intimacies. Human and Machines in Film; Alexander Darius Ornella
34. Posthumanous Subjects; Steen Christiansen
35. Identity: Difficulties, Discontinuities and Pluralities of Personhood; James DiGiovanna
PART VIII: MORE HUMAN THAN HUMAN: POSTHUMAN ONTOLOGIES
36. The Final Frontier? Religion and Posthumanism in Film and Television; Elaine Graham
37. The Ghost in the Machine. Humanity and the Problem of Self-Aware Information; Brett Lunceford
38. Trust a Few, Fear the Rest: the Anxiety and Fantasy of Human Evolution; Pramod K. Nayar
39. The Posthumanist Paradigm Shift in Film and Television; Thomas D. Philbeck
40. Object Oriented Ontology; Graham Harman
Bibliography
Filmography
Index
mehr

Autor

Drew Ayers, Santa Barbara City College, USABabette Babich, Fordham University, USAJon Baldwin, London Metropolitan University, UKDouglas Brown, Falmouth University, UKWilliam Brown, University of Roehampton, UKJohn Bruni, Grand Valley State University, USAIvan Callus, University of MaltaCurtis D. Carbonell, Khalifa University, UAESteen Ledet Christiansen, Aalborg University, DenmarkJay Clayton, Vanderbilt University, USAT. Hugh Crawford, Georgia Institute of Technology, USAJames DiGiovanna, CUNY, USAFrancesca Ferrando, New York University, USAElaine Graham, University of Chester, UKGraham Harman, American University in Cairo, EgyptDan Hassler-Forest, University of Amsterdam, NetherlandsMichael Hauskeller, University of Exeter, UKPhil Henderson, University of Victoria, CanadaStefan Herbrechter, Heidelberg University, GermanyEric Hill, Winthrop University, USAJames Hughes, Trinity College, USAJoel Krueger, University of Exeter, UKTanya Krzywinska, Falmouth University, UKKevin LaGrandeur, New York Institute of Technology, USATarja Laine, University of Amsterdam, NetherlandsBrett Lunceford, Rhetorical Scholar, USATeodora Manea, University of Exeter, UKDavid Meeler, Winthrop University, USAJeff Menne, Oklahoma State University, USAPramod K. Nayar, University of Hyderabad, IndiaDónal P O'Mathúna, Dublin City University, IrelandAlexander D. Ornella, University of Hull, UKThomas D. Philbeck, World Economic Forum, GenevaAnat Pick, Queen Mary, University of London, UKRalph Pordzik, Würzburg University, Germany Anna Powell, Manchester Metropolitan University, UKDavid Roden, Open University, UKRhys Owain Thomas, University of East Anglia, UKSherryl Vint, University of California, Riverside, USAHilary Wheaton, University of Exeter, UKHub Zwart, Radboud University Nijmegen, Netherlands