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Days of Glory?

E-BookPDF1 - PDF WatermarkE-Book
298 Seiten
Englisch
Palgrave Macmillan UKerschienen am26.08.20161st ed. 2016
This book examines a range of visual images of military recruitment to explore changing notions of glory, or of gloire, during the French Revolution. It raises questions about how this event re-orientated notions of 'citizenship' and of service to 'la Patrie'. The opening lines of the Marseillaise are grandly declamatory: Allons enfants de la Patrie/le jour de gloire est arrivé!  or, in English: Arise, children of the Homeland/The day of glory has arrived! What do these words mean in their later eighteenth-century French context? What was gloire and how was it changed by the revolutionary process? This military song, later adopted as the national anthem, represents a deceptively unifying moment of collective engagement in the making of the modern French nation. Valerie Mainz questions this through a close study of visual imagery dealing with the issue of military recruitment.  From neoclassical painting to popular prints, such images typically dealt with the shift from civilian to soldier, focusing on how men, and not women, were called to serve the Homeland.



Valerie Mainz is Senior Lecturer in the School of Fine Art, History of Art and Cultural Studies at the University of Leeds, UK, having previously worked in both the commercial and subsidised sectors of the theatre. She has curated exhibitions on the French Revolution at the University Gallery, University of Leeds in 1998, at the Musée de la Révolution française, Vizille in 1999 and, together with Richard Williams, at the Henry Moore Institute, Leeds in 2006.
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Produkt

KlappentextThis book examines a range of visual images of military recruitment to explore changing notions of glory, or of gloire, during the French Revolution. It raises questions about how this event re-orientated notions of 'citizenship' and of service to 'la Patrie'. The opening lines of the Marseillaise are grandly declamatory: Allons enfants de la Patrie/le jour de gloire est arrivé!  or, in English: Arise, children of the Homeland/The day of glory has arrived! What do these words mean in their later eighteenth-century French context? What was gloire and how was it changed by the revolutionary process? This military song, later adopted as the national anthem, represents a deceptively unifying moment of collective engagement in the making of the modern French nation. Valerie Mainz questions this through a close study of visual imagery dealing with the issue of military recruitment.  From neoclassical painting to popular prints, such images typically dealt with the shift from civilian to soldier, focusing on how men, and not women, were called to serve the Homeland.



Valerie Mainz is Senior Lecturer in the School of Fine Art, History of Art and Cultural Studies at the University of Leeds, UK, having previously worked in both the commercial and subsidised sectors of the theatre. She has curated exhibitions on the French Revolution at the University Gallery, University of Leeds in 1998, at the Musée de la Révolution française, Vizille in 1999 and, together with Richard Williams, at the Henry Moore Institute, Leeds in 2006.
Details
Weitere ISBN/GTIN9781137542946
ProduktartE-Book
EinbandartE-Book
FormatPDF
Format Hinweis1 - PDF Watermark
FormatE107
Erscheinungsjahr2016
Erscheinungsdatum26.08.2016
Auflage1st ed. 2016
Seiten298 Seiten
SpracheEnglisch
IllustrationenXVII, 298 p. 46 illus., 8 illus. in color.
Artikel-Nr.2078698
Rubriken
Genre9200

Inhalt/Kritik

Inhaltsverzeichnis
List of figures.- Preface-. 1. Introduction.- 2. Signing up before the Revolution.- 3. Transforming gloire and military sign up.- 4. Recruitment and Revolution before Thermidor.- 5. Fighting Women.- 6. Fame's two trumpets.- 7. Conclusion.- Notes.- Works Cites.- Index.

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Autor

Valerie Mainz is Senior Lecturer in the School of Fine Art, History of Art and Cultural Studies at the University of Leeds, UK, having previously worked in both the commercial and subsidised sectors of the theatre. She has curated exhibitions on the French Revolution at the University Gallery, University of Leeds in 1998, at the Musée de la Révolution française, Vizille in 1999 and, together with Richard Williams, at the Henry Moore Institute, Leeds in 2006.