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Einband grossThe Invention of Robert Bresson
ISBN/GTIN

The Invention of Robert Bresson

E-BookEPUB0 - No protectionE-Book
288 Seiten
Englisch
Indiana University Presserschienen am19.12.2016
Challenging the prevailing notion among cinephiles that the auteur is an isolated genius interested primarily in individualism, Colin Burnett positions Robert Bresson as one whose life's work confronts the cultural forces that helped shape it. Regarded as one of film history's most elusive figures, Bresson (1901-1999) carried himself as an auteur long before cultural magazines, like the famed Cahiers du cinéma, advanced the term to describe such directors as Jacques Tati, Alfred Hitchcock, and Jean-Luc Godard. In this groundbreaking study, Burnett combines biography with cultural history to uncover the roots of the auteur in the alternative cultural marketplace of midcentury France.mehr
Verfügbare Formate
TaschenbuchKartoniert, Paperback
EUR34,50
E-BookEPUB0 - No protectionE-Book
EUR10,49

Produkt

KlappentextChallenging the prevailing notion among cinephiles that the auteur is an isolated genius interested primarily in individualism, Colin Burnett positions Robert Bresson as one whose life's work confronts the cultural forces that helped shape it. Regarded as one of film history's most elusive figures, Bresson (1901-1999) carried himself as an auteur long before cultural magazines, like the famed Cahiers du cinéma, advanced the term to describe such directors as Jacques Tati, Alfred Hitchcock, and Jean-Luc Godard. In this groundbreaking study, Burnett combines biography with cultural history to uncover the roots of the auteur in the alternative cultural marketplace of midcentury France.
Details
Weitere ISBN/GTIN9780253025012
ProduktartE-Book
EinbandartE-Book
FormatEPUB
Format Hinweis0 - No protection
FormatE101
Erscheinungsjahr2016
Erscheinungsdatum19.12.2016
Seiten288 Seiten
SpracheEnglisch
Illustrationen35 b&w illus.
Artikel-Nr.2186017
Rubriken
Genre9200

Inhalt/Kritik

Inhaltsverzeichnis
Acknowledgments
Introduction
Part One: Alternative Institutions
1. Under the Aegis of Surrealism: How a Publicity Artist Became the Manager of an Independent Film Company
2. The Rise of the Accursed: When Bresson was Co-President of an Avant-Garde Ciné-Club
Part Two: Vanguard Forms
3. Purifying Cinema: The Provocations of Faithful Adaptation and First-Person Storytelling in "Ignace de Loyola" (1948) and Journal d'un curé de campagne (1951)
4. Theorizing the Image: Bresson's Challenge to the Realists-Sparse Set Design, Acting and Photography from Les anges du péché (1943) to Une femme douce (1969)
5. Vernacularizing Rhythm: Bresson and the Shift Toward Dionysian Temporalities-Plot Structure and Editing from Journal d'un curé de campagne (1951) to L'argent (1983)
Afterword
Selected Bibliography
Indexmehr