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Einband grossPicturing Science, Producing Art
ISBN/GTIN

Picturing Science, Producing Art

E-BookPDFDRM AdobeE-Book
608 Seiten
Englisch
Taylor & Franciserschienen am04.02.2014
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.mehr
Verfügbare Formate
TaschenbuchKartoniert, Paperback
EUR68,50
E-BookPDFDRM AdobeE-Book
EUR66,49
E-BookEPUBDRM AdobeE-Book
EUR66,49

Produkt

KlappentextFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Details
Weitere ISBN/GTIN9781135207502
ProduktartE-Book
EinbandartE-Book
FormatPDF
Format HinweisDRM Adobe
Erscheinungsjahr2014
Erscheinungsdatum04.02.2014
Seiten608 Seiten
SpracheEnglisch
Dateigrösse27840 Kbytes
Artikel-Nr.2978095
Rubriken
Genre9200

Inhalt/Kritik

Inhaltsverzeichnis
TABLE OF CONTENTSCaroline A. Jones - IntroductionSTYLESCarlo Ginzburg - Style as Inclusion, Style as ExclusionIrene J. Winter - The Affective Properties of Styles: An Inquiry into Analytical Process and the Inscription of Meaning in Art History Amy Slaton - Style/Type/Standard: The Production of Technological Resemblance THE BODY Arnold Davidson - Miracles of Bodily Transformation, or, HOw St. Francis Recieved the Stigmata Londa Schiebinger - Lost Knowledge, Bodies of Ignorance, and the Poverty of Taxonomy as Illustrated by the Curious Fate of Flos Pavonis, an Abortifacient Caroline A. Jones - The Sex of the Machine: Mechanomorphic Art, New Women, and Francis Picabia's Neurasthenic Cure Donna J. Haraway - Deanimations: Maps and Portraits of Life Itself SEEING WONDER Krzysztof Pomian - Vision and Cognition Lorraine Daston - Nature by Design Katharine Park - Impressed Images:Reproducing Wonders David Freedberg - Iconography Between the History of Art and the History of Science: Art, Science, and the Case of the Urban Bee Joseph Leo Koerner - Hieronymus Bosch's World Picture OBJECTIVITY/SUBJECTIVITY Peter Galison - Judgment Against Objectivity Jan Goldstein - Eclectic Subjectivity and the Impossibility of Female Beauty Joel Snyder - Visualization and Visibility CULTURES OF VISION Svetlana Alpers - The Studio, the Laboratory, and the Vexations of Art Bruno Latour - How to Be Iconophilic in Art, Science, and Religion? Simon Schaffer - On Astronomical Drawing Jonathan Crary - Attention and Modernity in the Ninteenth Centurymehr

Autor

Caroline A. Jones teaches contemporary art and criticism and directs the Museum Studies Program in the Art History Department at Boston University. Her most recent exhibition is Painting Machines (1997), and her books include Machine in the Studio (1996). Peter Galison is Mallinckrodt Professor of the History of Science and of Physics at Harvard University. He is a recent recipient of a MacArthur Foundation grant; his most recent publication is Image and Logic (1997), and he is co-author of a forthcoming of a forthcoming book, Images of Objectivity.