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Einband grossThe New Scottish Cinema
ISBN/GTIN

The New Scottish Cinema

E-BookEPUBDRM AdobeE-Book
304 Seiten
Englisch
Bloomsbury UKerschienen am31.03.20151. Auflage
From a near standing start in the 1970s, the emergence and expansion of an aesthetically and culturally distinctive Scottish cinema proved to be one of the most significant developments within late-twentieth and early twenty-first-century British film culture. Individual Scottish films and filmmakers have attracted notable amounts of critical attention as a result. The New Scottish Cinema, however, is the first book to trace Scottish film culture's industrial, creative and critical evolution in comprehensive detail across a forty-year period. On the one hand, it invites readers to reconsider the known - films such as Shallow Grave, Ratcatcher, The Magdalene Sisters, Young Adam, Red Road and The Last King of Scotland. On the other, it uncovers the overlooked, from the 1980s comedic film makers who followed in the footsteps of Bill Forsyth to the variety of present-day Scottish film making - a body of work that encompasses explorations of multiculturalism, exploitation of the macabre and much else in between.In addition to analysing an eclectic range of films and filmmakers, The New Scottish Cinema also examines the diverse industrial, institutional and cultural contexts which have allowed Scottish film to evolve and grow since the 1970s, and relates these to the images of Scotland which artists have put on screen.
In so doing, the book narrates a story of interest to any student of contemporary British film.mehr
Verfügbare Formate
E-BookEPUBDRM AdobeE-Book
EUR148,99
E-BookPDFDRM AdobeE-Book
EUR148,99

Produkt

KlappentextFrom a near standing start in the 1970s, the emergence and expansion of an aesthetically and culturally distinctive Scottish cinema proved to be one of the most significant developments within late-twentieth and early twenty-first-century British film culture. Individual Scottish films and filmmakers have attracted notable amounts of critical attention as a result. The New Scottish Cinema, however, is the first book to trace Scottish film culture's industrial, creative and critical evolution in comprehensive detail across a forty-year period. On the one hand, it invites readers to reconsider the known - films such as Shallow Grave, Ratcatcher, The Magdalene Sisters, Young Adam, Red Road and The Last King of Scotland. On the other, it uncovers the overlooked, from the 1980s comedic film makers who followed in the footsteps of Bill Forsyth to the variety of present-day Scottish film making - a body of work that encompasses explorations of multiculturalism, exploitation of the macabre and much else in between.In addition to analysing an eclectic range of films and filmmakers, The New Scottish Cinema also examines the diverse industrial, institutional and cultural contexts which have allowed Scottish film to evolve and grow since the 1970s, and relates these to the images of Scotland which artists have put on screen.
In so doing, the book narrates a story of interest to any student of contemporary British film.
Details
Weitere ISBN/GTIN9780857739629
ProduktartE-Book
EinbandartE-Book
FormatEPUB
Format HinweisDRM Adobe
Erscheinungsjahr2015
Erscheinungsdatum31.03.2015
Auflage1. Auflage
ReiheCinema and Society
Seiten304 Seiten
SpracheEnglisch
Dateigrösse1672 Kbytes
Artikel-Nr.4204620
Rubriken
Genre9200

Inhalt/Kritik

Inhaltsverzeichnis
List of Figures
Acknowledgements
General Editor's Introduction

Introduction

Metamorphosis : Scottish Cinema 1990-95

'It's Been Great Working With You' : Scottish Cinema 1995-2001

DOGMAC: 2000s Scottish-Scandinavian Cinema

Travelling Scots: Images of Race and Ethnicity in 2000s Scottish Cinema

Nazis, Neds and Netherworlds: Scottish Low-budget Genre Cinema of the 2000s

Afterword

Notes
Biliography
Indexmehr

Autor

Jonathan Murray is Lecturer in Film and Visual Culture at the Edinburgh College of Art (UK). His primary research interests are Scottish culture and contemporary British cinemas. He is the author of Discomfort and Joy: the Cinema of Bill Forsyth (2010) and lead editor of Scottish Cinema Now (2009).He also writes regularly on contemporary world cinema for a range of international publications.