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Einband grossAuthors and Apparatus
ISBN/GTIN

Authors and Apparatus

E-BookPDF0 - No protectionE-Book
282 Seiten
Englisch
Cornell University Presserschienen am15.03.2019
Copyright is under siege. From file sharing to vast library scanning projects, new technologies, actors, and attitudes toward intellectual property threaten the value of creative work. However, while digital media and the Internet have made making and sharing perfect copies of original works almost effortless, debates about protecting authors' rights are nothing new. In this sweeping account of the evolution of copyright law since the mid-nineteenth century, Monika Dommann explores how radical media changes-from sheet music and phonographs to photocopiers and networked information systems-have challenged and transformed legal and cultural concept of authors' rights.

Dommann provides a critical transatlantic perspective on developments in copyright law and mechanical reproduction of words and music, charting how artists, media companies, and lawmakers in the United States and western Europe approached the complex tangle of technological innovation, intellectual property, and consumer interests. From the seemingly innocuous music box, invented around 1800, to BASF's magnetic tapes and Xerox machines, she demonstrates how copyright has been continuously destabilized by emerging technologies, requiring new legal norms to regulate commercial and private copying practices. Without minimizing digital media's radical disruption to notions of intellectual property, Dommann uncovers the deep historical roots of the conflict between copyright and media-a story that can inform present-day debates over the legal protection of authorship.
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Verfügbare Formate
E-BookEPUB0 - No protectionE-Book
EUR32,99
E-BookPDF0 - No protectionE-Book
EUR154,99

Produkt

KlappentextCopyright is under siege. From file sharing to vast library scanning projects, new technologies, actors, and attitudes toward intellectual property threaten the value of creative work. However, while digital media and the Internet have made making and sharing perfect copies of original works almost effortless, debates about protecting authors' rights are nothing new. In this sweeping account of the evolution of copyright law since the mid-nineteenth century, Monika Dommann explores how radical media changes-from sheet music and phonographs to photocopiers and networked information systems-have challenged and transformed legal and cultural concept of authors' rights.

Dommann provides a critical transatlantic perspective on developments in copyright law and mechanical reproduction of words and music, charting how artists, media companies, and lawmakers in the United States and western Europe approached the complex tangle of technological innovation, intellectual property, and consumer interests. From the seemingly innocuous music box, invented around 1800, to BASF's magnetic tapes and Xerox machines, she demonstrates how copyright has been continuously destabilized by emerging technologies, requiring new legal norms to regulate commercial and private copying practices. Without minimizing digital media's radical disruption to notions of intellectual property, Dommann uncovers the deep historical roots of the conflict between copyright and media-a story that can inform present-day debates over the legal protection of authorship.
Details
Weitere ISBN/GTIN9781501734984
ProduktartE-Book
EinbandartE-Book
FormatPDF
Format Hinweis0 - No protection
FormatE107
Erscheinungsjahr2019
Erscheinungsdatum15.03.2019
Seiten282 Seiten
SpracheEnglisch
Illustrationen33 b&w halftones
Artikel-Nr.4253243
Rubriken
Genre9200

Inhalt/Kritik

Inhaltsverzeichnis
List of Illustrations
Acknowledgments
List of Abbreviations
Introduction: A Media History of Legal Norms
Part I: Writing and Recording
1. Sheet Music
2. Images of Books
3. Voice Recorders
4. Canned Music
Part II: Collecting Agencies and Research Materials
5. Collecting Collectives
6. Celluloid Circulations
7. Performing Artists
Part III: Private Copies and Universal Standards
8. Fees for Devices
9. Flow of Information
10. Authors of Tradition
Conclusion: Legal Histories of Media Transformation
Further Reading: Bibliographic Essay
Notes
Bibliography
Index
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Autor

Monika Dommann is Professor of Modern History at the University of Zurich.

Sarah Pybus translates fiction and nonfiction from German to English, and was awarded first place in the inaugural Geisteswissenschaften International Nonfiction Translation (GINT) Prize.