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Einband grossChina's Cinema of Class
ISBN/GTIN

China's Cinema of Class

E-BookPDFDRM AdobeE-Book
Englisch
Taylor & Franciserschienen am03.02.2017
China's commercial film industry can be used as a map to understand how class is interwoven into the imaginations that inform and influence social change in Chinese society. Film consumption is important in this process, particularly for young adult urbanites that are China's primary commercial cinema patrons. This book investigates the web between the representation of class themes in Chinese film narratives, local audience reception to these films, and the socialisation of China's contemporary class society.mehr
Verfügbare Formate
E-BookPDFDRM AdobeE-Book
EUR59,49
E-BookEPUBDRM AdobeE-Book
EUR59,49

Produkt

KlappentextChina's commercial film industry can be used as a map to understand how class is interwoven into the imaginations that inform and influence social change in Chinese society. Film consumption is important in this process, particularly for young adult urbanites that are China's primary commercial cinema patrons. This book investigates the web between the representation of class themes in Chinese film narratives, local audience reception to these films, and the socialisation of China's contemporary class society.
Details
Weitere ISBN/GTIN9781315393971
ProduktartE-Book
EinbandartE-Book
FormatPDF
Format HinweisDRM Adobe
Erscheinungsjahr2017
Erscheinungsdatum03.02.2017
SpracheEnglisch
Dateigrösse1657 Kbytes
Illustrationen19 schwarz-weiße Abbildungen, 19 schwarz-weiße Fotos, 1 schwarz-weiße Tabellen
Artikel-Nr.4552508
Rubriken
Genre9200

Inhalt/Kritik

Inhaltsverzeichnis
1 China's audiences and the cinema of class

2 Class on screen and in reality: Pre-conditioning audiences

3 Let the Bullets Fly: The socialisation of assumptions

4 Lost on Journey: Prejudice in class relations

5 Go Lala Go!: Secretaries, shopping and spinsterhood

6 House Mania: Homeownership, marriageability and masculinity

7 The Piano in a Factory: Suzhi, industrial heroes, and the spectacle of poverty

8 Conclusion: Class, the film, and the filmmakermehr