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Einband grossMusic, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War
ISBN/GTIN

Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War

E-BookPDF0 - No protectionE-Book
322 Seiten
Englisch
Taylor & Franciserschienen am23.09.20191. Auflage
Exploring one of the most integral elements of the cinematic experience-music-the essays in this volume consider the numerous ways in which post-war European cinema dealt with memory, trauma and nostalgia, showing how the music of these films shaped the representation of the past.mehr
Verfügbare Formate
BuchGebunden
EUR207,50
TaschenbuchKartoniert, Paperback
EUR57,50
E-BookEPUB0 - No protectionE-Book
EUR53,99
E-BookPDF0 - No protectionE-Book
EUR53,99

Produkt

KlappentextExploring one of the most integral elements of the cinematic experience-music-the essays in this volume consider the numerous ways in which post-war European cinema dealt with memory, trauma and nostalgia, showing how the music of these films shaped the representation of the past.
Details
Weitere ISBN/GTIN9781315298443
ProduktartE-Book
EinbandartE-Book
FormatPDF
Format Hinweis0 - No protection
Erscheinungsjahr2019
Erscheinungsdatum23.09.2019
Auflage1. Auflage
Seiten322 Seiten
SpracheEnglisch
Dateigrösse9771 Kbytes
Illustrationen27 schwarz-weiße Fotos, 14 schwarz-weiße Zeichnungen, 6 schwarz-weiße Tabellen
Artikel-Nr.4724965
Rubriken
Genre9200

Inhalt/Kritik

Inhaltsverzeichnis
Part I: Collective Memory and (Trans-)Nation / Chapter 1: A Fanfare Floating Beneath Sea Level: Music as a Sonic Lieu de Mémoire of Dutch Cultural Identity on Film (Emile Wennekes) / Chapter 2: Which People's Music? Witnessing the Popular in the Musicscape of Giuseppe De Santis's Riso amaro (1949, Bitter Rice (Maurizio Corbella) / Chapter 3: Phantoms of Italian Opera-Cultural Memory in Italian and (West) German Films (Roger Hillman) / Chapter 4: A Bridge Too Far? Music in the British War Film, 1945¿80 (Mervyn Cooke) / Part II: Trauma and Survival / Chapter 5: Hidden in Plain View: The Music of Holocaust Survival in Poland's First Post-war Feature Film (Barbara Milewski) / Chapter 6: Empathy, Ethics, and Film Music: Alfred Schnittke and Larisa Shepit'ko's Voskhozhdenie (1977, The Ascent) (Maria Cizmic) / Chapter 7: Fugue States: Music, Memory, and Trauma in Alain Resnais's Early 1960s Films (Michael Baumgartner and Orlene Denice McMahon) / Chapter 8: Re-Sounding Trauma: Sonic Flashbacks in the Films of Jan Troell (Alexis Luko) / Part III: Nostalgia, and the Impossible Returns Home / Chapter 9: Decomposing Heroism: Rolf Wilhelm's Music for Radetzkymarsch (1965) (Janina Müller and Tobias Plebuch) / Chapter 10: The Music of Sacrificial Acts: Displacement, Redemption, Beethoven and Verdi in Andrei Tarkovsky's Nostalghia (1983) (Tobias Pontara) / Chapter 11: "Chopin Meant Everything to Us Then": Chopin Nostalgia in Polish Cinema, 1944-91 (Ewelina Boczkowska) / Chapter 12: Returning Home: Critical Nostalgia and French Cinematic Illusion in the Post-war Musical Films of René Clair and Jean Renoir (Hannah Lewis)mehr

Autor

Michael Baumgartner is Associate Professor of Musicology at Cleveland State University.

Ewelina Boczkowska is Associate Professor of Musicology at Youngstown State University.