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Seeing as Practice

E-BookPDF1 - PDF WatermarkE-Book
209 Seiten
Englisch
Springer International Publishingerschienen am02.12.20191st ed. 2019
This study provides an overview of philosophical questions relating to sight and vision. It discusses the intertwinement of seeing and ways of seeing against the background of an entirely different theoretical framework.




Seeing is both a proven means of acquiring information and a personality-specific way of disclosing the apparent, perceptible world, conditioned by individual and cultural variations. In a peculiar way, the eye holds a middle position between inside and outside of the self and its relations towards itself and others. This book provides a way out of false alternatives by offering a third way with reference to concrete cases of aesthetical and ethical experiences. It will be of particular interest to scholars of the phenomenology and philosophy of perception and it will be valuable to students of philosophy, cultural studies and art.


Eva Schuermann is Professor of Cultural Philosophy at the University of Magdeburg, Germany. She was awarded a prize for notable contributions in art, culture and the humanities by the Aby-Warburg-Foundation, and is co-editor of the Allgemeine Zeitschrift für Philosophie. Her publications include Vorstellen und Darstellen (2018) and  'Law as the Art of Picturing a Case' in Law and the Arts (2017).mehr
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Produkt

KlappentextThis study provides an overview of philosophical questions relating to sight and vision. It discusses the intertwinement of seeing and ways of seeing against the background of an entirely different theoretical framework.




Seeing is both a proven means of acquiring information and a personality-specific way of disclosing the apparent, perceptible world, conditioned by individual and cultural variations. In a peculiar way, the eye holds a middle position between inside and outside of the self and its relations towards itself and others. This book provides a way out of false alternatives by offering a third way with reference to concrete cases of aesthetical and ethical experiences. It will be of particular interest to scholars of the phenomenology and philosophy of perception and it will be valuable to students of philosophy, cultural studies and art.


Eva Schuermann is Professor of Cultural Philosophy at the University of Magdeburg, Germany. She was awarded a prize for notable contributions in art, culture and the humanities by the Aby-Warburg-Foundation, and is co-editor of the Allgemeine Zeitschrift für Philosophie. Her publications include Vorstellen und Darstellen (2018) and  'Law as the Art of Picturing a Case' in Law and the Arts (2017).
Details
Weitere ISBN/GTIN9783030145071
ProduktartE-Book
EinbandartE-Book
FormatPDF
Format Hinweis1 - PDF Watermark
FormatE107
Erscheinungsjahr2019
Erscheinungsdatum02.12.2019
Auflage1st ed. 2019
ReihePerformance Philosophy
Seiten209 Seiten
SpracheEnglisch
IllustrationenXI, 209 p. 9 illus., 8 illus. in color.
Artikel-Nr.4991672
Rubriken
Genre9200

Inhalt/Kritik

Inhaltsverzeichnis
1;Contents;6
2;Preface to the translated edition 2018;10
3;List of Figures;12
4;1 Introduction: Why Seeing is a Practice;13
4.1;1 Two Cases of Perceptual World Disclosure;15
4.2;2 The Performativity of Speech and Sight;19
4.3;3 The Double Sense of the Sense of Sight;22
4.4;4 The Iconicity of Visual Perception;23
4.5;5 Ethics and Aesthetics;25
4.6;References;28
5;2 Why Seeing is a Problem;29
5.1;1 Oculocentrism and Its Critics;30
5.1.1;1.1 Epistemology and Hermeneutics;32
5.1.2;1.2 The Idea of a Visual Deliverance;33
5.1.3;1.3 Aporias of Consciousness;35
5.1.4;1.4 Revenants from the History of Metaphysics;36
5.1.5;1.5 The Necessity of Mediation;37
5.1.6;1.6 Problems of Reference;38
5.1.7;1.7 Knowing, Believing, Concluding;41
5.1.8;1.8 Seeing Something, Seeing That, Seeing How;43
5.1.9;1.9 Conclusions;45
5.2;2 Other Approaches;46
5.2.1;2.1 Symbol Theory;47
5.2.2;2.2 Interpretation Theories;48
5.2.3;2.3 Narrative Theories;50
5.2.4;2.4 Visual Culture Studies;52
5.3;References;53
6;3 The Practice of Seeing;57
6.1;1 Shared Visibility;59
6.1.1;1.1 The Logic of Practice;59
6.1.2;1.2 The Field of Practice;60
6.2;2 Seeing as Doing;61
6.2.1;2.1 Syntactic Seeing How;63
6.2.2;2.2 Semantic Seeing As;64
6.2.3;2.3 Pragmatic and Practical Seeing;66
6.3;3 Worlds of Perception;67
6.3.1;3.1 Seeing as Means and Seeing as End in Everyday Life;71
6.3.2;3.2 Seeing as Means and Seeing as End in the Aesthetic;72
6.3.3;3.3 Seeing as Means and Seeing as End in the Ethical;73
6.4;4 Context and Situation;77
6.4.1;4.1 Neither Free Nor Arbitrary;78
6.5;5 Form of Life and World Image;80
6.5.1;5.1 Conditions of Possibility and Framing Factors;81
6.6;6 Acts and Actors;82
6.7;7 Medium and Mediality;84
6.7.1;7.1 Mediated Immediacy;85
6.8;References;86
7;4 The Performativity of Practice;89
7.1;1 Doing as Depicting;90
7.1.1;1.1 Space, Time and Perspective;92
7.1.2;1.2 The Corporeality and Affectivity of Seeing;94
7.1.3;1.3 Negativity and Blindness;96
7.2;2 The What and the How;98
7.2.1;2.1 The Fictional and Narrative Constitution of Reality;99
7.2.2;2.2 Style and (Re)Formulation;101
7.2.3;2.3 Iconic Seeing and Seeing Art;103
7.2.4;2.4 Shown Seeing;104
7.2.5;2.5 Ethos and Habitus;108
7.3;References;109
8;5 In Seeing Beyond Seeing;112
8.1;1 Sight and Insight-Seeing and Ways of Seeing;113
8.1.1;1.1 Wittgenstein´s Aspect-Seeing;114
8.1.2;1.2 Heidegger´s Interpretation;116
8.1.3;1.3 The Inevitability of Metaphor;118
8.2;2 The Visible and the Invisible;122
8.2.1;2.1 Dispositive Instead of Referential;122
8.2.2;2.2 Perception According to Merleau-Ponty;124
8.2.3;2.3 Figure and Ground;128
8.3;References;128
9;6 The Constructions of Imagination;131
9.1;1 The Powers of the Image;132
9.1.1;1.1 Spontaneity and Receptivity (Kant);133
9.2;2 The Images of the Faculty;136
9.2.1;2.1 Iconic Consciousness (Fichte);137
9.3;3 The Affective Force of Images;140
9.4;4 Corporeality and Iconicity;142
9.4.1;4.1 Perceptual Images;144
9.4.2;4.2 Image Without Model;145
9.5;5 Imaginary Seeing;146
9.5.1;5.1 The Case of Don Quixote;147
9.5.2;5.2 Images Hold Us Captive;149
9.6;References;150
10;7 Aesthetic and Ethical World Disclosure;153
10.1;1 Metaphorical Seeing;154
10.1.1;1.1 Transference and Bridging;154
10.1.2;1.2 Resemblance;156
10.2;2 Normative Seeing;158
10.2.1;2.1 Socialisation and Social Control;160
10.2.2;2.2 Esse Est Percipi;161
10.3;References;162
11;8 Seeing Each Other;164
11.1;1 Relations of Gazing;165
11.1.1;1.1 The Look and the Face;167
11.2;2 Sartre´s Notion of Visibility;168
11.2.1;2.1 Scopic Regimes;168
11.2.2;2.2 Acquiring and Losing Subjectivity;172
11.2.3;2.3 Master and Bondsman;173
11.3;3 Being Visible According to Lévinas;175
11.3.1;3.1 Face-to-Face and Alterity;175
11.3.2;3.2 Non-sensory Seeing;177
11.4;4 Re-visions;178
11.5;References;180
12;9 Seeing Art;182
12.1;1 The Art of Seeing Differently and Seeing Difference;183
12.1.1;1.1 Image and Gaze;184
12.2;2 Gary Hill: The Power of the Gaze;185
12.2.1;2.1 Rembrandt 1: The Status of the Image;187
12.2.2;2.2 Fictitious and Imagined Gazes;189
12.2.3;2.3 Rembrandt 2: Seeing Made Visible;192
12.3;3 Cézanne and Kentridge: Seeing-How and Seeing-As;193
12.3.1;3.1 Cézanne´s Face;195
12.3.2;3.2 Syntactic Seeing and the Non-Propositional;197
12.3.3;3.3 Abstraction and Concretion;198
12.3.4;3.4 Seeing as Transformation;199
12.3.5;3.5 How the Visible Becomes a Thing;199
12.3.6;3.6 Kentridge´s Media;201
12.3.7;3.7 Shadow Figures;204
12.3.8;3.8 Semantic Seeing and Sense Making;206
12.3.9;3.9 How the Visible Becomes an Image;207
12.3.10;3.10 Seeing as Presentation, Seeing as Performance;208
12.4;4 The Invisibilities of the Visible;209
12.5;References;211
13;Index;214mehr

Autor

Eva Schuermann is Professor of Cultural Philosophy at the University of Magdeburg, Germany. She was awarded a prize for notable contributions in art, culture and the humanities by the Aby-Warburg-Foundation, and is co-editor of the Allgemeine Zeitschrift für Philosophie. Her publications include Vorstellen und Darstellen (2018) and 'Law as the Art of Picturing a Case' in Law and the Arts (2017).