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Einband grossMexico Unmanned
ISBN/GTIN

Mexico Unmanned

E-BookEPUBDRM AdobeE-Book
248 Seiten
Englisch
State University of New York Presserschienen am01.12.2021
Iconic images of machismo in Mexico's classic cinema affirm the national film industry's historical alignment with the patriarchal ideology intrinsic to the post-revolutionary state's political culture. Filmmakers gradually turned away from the cultural nationalism of mexicanidad, but has the underlying gender paradigm been similarly abandoned? Films made in the past two decades clearly reflect transformations instituted by a neoliberal regime of cultural politics, yet significant elements of macho mythology continue to be rearticulated. Mexico Unmanned examines these structural continuities in recent commercial and auteur films directed by Alfonso Cuarón, Carlos Cuarón, Carlos Reygadas, Amat Escalante, and Julio Hernández Cordón, among others. Informed by cinema's role in Mexico's modern/colonial gender system, Samanta Ordóñez draws out recurrent patterns of signification that reproduce racialized categories of masculinity and bolster a larger network of social hierarchies. In so doing, Ordóñez dialogues with current intersectional gender theory, fresh scholarship on violence in the neoliberal state, and the latest research on Mexican cinema.mehr
Verfügbare Formate
BuchGebunden
EUR104,50
TaschenbuchKartoniert, Paperback
EUR37,50
E-BookEPUBDRM AdobeE-Book
EUR35,99

Produkt

KlappentextIconic images of machismo in Mexico's classic cinema affirm the national film industry's historical alignment with the patriarchal ideology intrinsic to the post-revolutionary state's political culture. Filmmakers gradually turned away from the cultural nationalism of mexicanidad, but has the underlying gender paradigm been similarly abandoned? Films made in the past two decades clearly reflect transformations instituted by a neoliberal regime of cultural politics, yet significant elements of macho mythology continue to be rearticulated. Mexico Unmanned examines these structural continuities in recent commercial and auteur films directed by Alfonso Cuarón, Carlos Cuarón, Carlos Reygadas, Amat Escalante, and Julio Hernández Cordón, among others. Informed by cinema's role in Mexico's modern/colonial gender system, Samanta Ordóñez draws out recurrent patterns of signification that reproduce racialized categories of masculinity and bolster a larger network of social hierarchies. In so doing, Ordóñez dialogues with current intersectional gender theory, fresh scholarship on violence in the neoliberal state, and the latest research on Mexican cinema.
Details
Weitere ISBN/GTIN9781438486307
ProduktartE-Book
EinbandartE-Book
FormatEPUB
Format HinweisDRM Adobe
FormatFormat mit automatischem Seitenumbruch (reflowable)
Erscheinungsjahr2021
Erscheinungsdatum01.12.2021
Seiten248 Seiten
SpracheEnglisch
Dateigrösse3453 Kbytes
IllustrationenTotal Illustrations: 25
Artikel-Nr.5622781
Rubriken
Genre9200

Inhalt/Kritik

Inhaltsverzeichnis
List of Illustrations
Acknowledgments
Preface

Introduction

1. Old Macho Mythologies in New Mexican Cinema-Y tu mama también and Rudo y Cursi

2. Demystifying Machismo in Batalla en el cielo and Post tenebras lux

3. Manufacturing Malformed Masculinities in Heli

4. Neoliberal Masculinities between Romance and Realism in Te prometo anarquía

Afterword
Notes
Works Cited
Index
mehr

Autor

Samanta Ordóñez is Assistant Professor of Spanish at Wake Forest University.
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Ordóñez, Samanta