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Einband grossRoy Hart
ISBN/GTIN
E-BookEPUB0 - No protectionE-Book
186 Seiten
Englisch
Taylor & Franciserschienen am10.03.20221. Auflage
Roy Hart's revolutionary work on the human voice through extended vocal technique and the Wolfsohn-Hart tradition has influenced several generations of practitioners. As a first step towards critical understanding, Routledge Performance Practitioners offer unbeatable value for today's student.mehr
Verfügbare Formate
BuchGebunden
EUR167,60
TaschenbuchKartoniert, Paperback
EUR50,00
E-BookPDF0 - No protectionE-Book
EUR48,49
E-BookEPUB0 - No protectionE-Book
EUR48,49

Produkt

KlappentextRoy Hart's revolutionary work on the human voice through extended vocal technique and the Wolfsohn-Hart tradition has influenced several generations of practitioners. As a first step towards critical understanding, Routledge Performance Practitioners offer unbeatable value for today's student.
Details
Weitere ISBN/GTIN9781000531015
ProduktartE-Book
EinbandartE-Book
FormatEPUB
Format Hinweis0 - No protection
FormatE101
Erscheinungsjahr2022
Erscheinungsdatum10.03.2022
Auflage1. Auflage
Seiten186 Seiten
SpracheEnglisch
Dateigrösse3169 Kbytes
Illustrationen12 schwarz-weiße Abbildungen, 12 schwarz-weiße Fotos
Artikel-Nr.7130709
Rubriken
Genre9200

Inhalt/Kritik

Inhaltsverzeichnis
1 Biography and Influences; 2 Roy Hart and Dorothy Hart: Writings, Interviews, Letters; 3 Four Productions by Roy Hart Theatre 1967 - 1976: The Bacchae, and, Biodrame, L'Economiste; 4 Pathways to the Human Voice: In the Footsteps of Roy Hart and Roy Hart Theatre; Bibliographymehr

Autor

Kevin Crawford was a founding member of the Roy Hart Theatre and much of this book is informed by his memories of his performing life with the company, and his professional work afterwards as a theatre and voice practitioner working in France, Italy, Ireland, England and elsewhere.

Bernadette Sweeney has a PhD in theatre from Trinity College Dublin and is Professor of Theatre and Performance Studies and head of Acting at the University of Montana School of Theatre and Dance. She is lucky to have been able to train with Kevin in various workshops in Ireland and France over a period of years, and also with other Roy Hart and Pantheatre company members.