Hugendubel.info - Die B2B Online-Buchhandlung 

Merkliste
Die Merkliste ist leer.
Bitte warten - die Druckansicht der Seite wird vorbereitet.
Der Druckdialog öffnet sich, sobald die Seite vollständig geladen wurde.
Sollte die Druckvorschau unvollständig sein, bitte schliessen und "Erneut drucken" wählen.
Einband grossTime's Echo
ISBN/GTIN

Time's Echo

E-BookEPUBDRM AdobeE-Book
400 Seiten
Englisch
Knopf Doubleday Publishing Grouperschienen am29.08.2023
A BEST BOOK OF THE YEAR: THE NEW YORK TIMES, NPR • Finalist for the Baillie Gifford Prize for Non-Fiction • A stirring account of how music bears witness to history and carries forward the memory of the wartime past • SUNDAY TIMES OF LONDON HISTORY BOOK OF THE YEAR

In 1785, when the great German poet Friedrich Schiller penned his immortal "Ode to Joy," he crystallized the deepest hopes and dreams of the European Enlightenment for a new era of peace and freedom, a time when millions would be embraced as equals. Beethoven's Ninth Symphony then gave wing to Schiller's words, but barely a century later these same words were claimed by Nazi propagandists and twisted by a barbarism so complete that it ruptured, as one philosopher put it, "the deep layer of solidarity among all who wear a human face."

When it comes to how societies remember these increasingly distant dreams and catastrophes, we often think of history books, archives, documentaries, or memorials carved from stone. But in Time's Echo, the award-winning critic and cultural historian Jeremy Eichler makes a passionate and revelatory case for the power of music as culture's memory, an art form uniquely capable of carrying forward meaning from the past.

With a critic's ear, a scholar's erudition, and a novelist's eye for detail, Eichler shows how four towering composers-Richard Strauss, Arnold Schoenberg, Dmitri Shostakovich, and Benjamin Britten-lived through the era of the Second World War and the Holocaust and later transformed their experiences into deeply moving, transcendent works of music, scores that echo lost time. Summoning the supporting testimony of writers, poets, philosophers, musicians, and everyday citizens, Eichler reveals how the essence of an entire epoch has been inscribed in these sounds and stories. Along the way, he visits key locations central to the music's creation, from the ruins of Coventry Cathedral to the site of the Babi Yar ravine in Kyiv.

As the living memory of the Second World War fades, Time's Echo proposes new ways of listening to history, and learning to hear between its notes the resonances of what another era has written, heard, dreamed, hoped, and mourned. A lyrical narrative full of insight and compassion, this book deepens how we think about the legacies of war, the presence of the past, and the renewed promise of art for our lives today.
mehr
Verfügbare Formate
BuchGebunden
EUR30,00
TaschenbuchKartoniert, Paperback
EUR14,50
TaschenbuchKartoniert, Paperback
EUR19,50
E-BookEPUBDRM AdobeE-Book
EUR17,49
E-BookEPUBePub WasserzeichenE-Book
EUR13,99

Produkt

KlappentextA BEST BOOK OF THE YEAR: THE NEW YORK TIMES, NPR • Finalist for the Baillie Gifford Prize for Non-Fiction • A stirring account of how music bears witness to history and carries forward the memory of the wartime past • SUNDAY TIMES OF LONDON HISTORY BOOK OF THE YEAR

In 1785, when the great German poet Friedrich Schiller penned his immortal "Ode to Joy," he crystallized the deepest hopes and dreams of the European Enlightenment for a new era of peace and freedom, a time when millions would be embraced as equals. Beethoven's Ninth Symphony then gave wing to Schiller's words, but barely a century later these same words were claimed by Nazi propagandists and twisted by a barbarism so complete that it ruptured, as one philosopher put it, "the deep layer of solidarity among all who wear a human face."

When it comes to how societies remember these increasingly distant dreams and catastrophes, we often think of history books, archives, documentaries, or memorials carved from stone. But in Time's Echo, the award-winning critic and cultural historian Jeremy Eichler makes a passionate and revelatory case for the power of music as culture's memory, an art form uniquely capable of carrying forward meaning from the past.

With a critic's ear, a scholar's erudition, and a novelist's eye for detail, Eichler shows how four towering composers-Richard Strauss, Arnold Schoenberg, Dmitri Shostakovich, and Benjamin Britten-lived through the era of the Second World War and the Holocaust and later transformed their experiences into deeply moving, transcendent works of music, scores that echo lost time. Summoning the supporting testimony of writers, poets, philosophers, musicians, and everyday citizens, Eichler reveals how the essence of an entire epoch has been inscribed in these sounds and stories. Along the way, he visits key locations central to the music's creation, from the ruins of Coventry Cathedral to the site of the Babi Yar ravine in Kyiv.

As the living memory of the Second World War fades, Time's Echo proposes new ways of listening to history, and learning to hear between its notes the resonances of what another era has written, heard, dreamed, hoped, and mourned. A lyrical narrative full of insight and compassion, this book deepens how we think about the legacies of war, the presence of the past, and the renewed promise of art for our lives today.
Details
Weitere ISBN/GTIN9780525521723
ProduktartE-Book
EinbandartE-Book
FormatEPUB
Format HinweisDRM Adobe
FormatE101
Erscheinungsjahr2023
Erscheinungsdatum29.08.2023
Seiten400 Seiten
SpracheEnglisch
Dateigrösse67934 Kbytes
Illustrationen57 ILLUSTRATIONS IN TEXT
Artikel-Nr.10359655
Rubriken
Genre9200

Autor

An award-winning critic and cultural historian, Jeremy Eichler currently serves as the chief classical music critic of The Boston Globe. He is the recipient of an ASCAP Deems Taylor Award for writing published in The New Yorker, a fellowship at Harvard University's Radcliffe Institute for Advanced Study, and a Public Scholars award from the National Endowment for the Humanities. Formerly a critic for The New York Times, he has contributed to many other national publications, and earned his Ph.D. in modern European history at Columbia University.
Weitere Artikel von
Eichler, Jeremy