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E-BookPDF1 - PDF WatermarkE-Book
374 Seiten
Englisch
Contemporary Chinese art is still a young field now being opened up to critical academic research. Negotiating Difference is a pioneering collection of articles which engage with contemporary Chinese art in a global context. The contributions collectively address the urgent methodological question of how to describe, contextualize and theorize artworks and artistic processes in and beyond the People's Republic of China since the end of the Cultural Revolution. The studies break new ground as they chalk out the transcultural entanglements of which art and its practices partake and which they in turn reconfigure. The book features 20 essays written by a select group of international junior and senior scholars engaged in ambitious and methodologically innovative research on contemporary Chinese art. Their multi-faceted, in part interdisciplinary approaches are complemented by four contributions by distinguished practitioners in the field, who - as art curators and critics - are located in China and explore key developments within Chinese art and the changing art scene of the last three decades.mehr

Produkt

KlappentextContemporary Chinese art is still a young field now being opened up to critical academic research. Negotiating Difference is a pioneering collection of articles which engage with contemporary Chinese art in a global context. The contributions collectively address the urgent methodological question of how to describe, contextualize and theorize artworks and artistic processes in and beyond the People's Republic of China since the end of the Cultural Revolution. The studies break new ground as they chalk out the transcultural entanglements of which art and its practices partake and which they in turn reconfigure. The book features 20 essays written by a select group of international junior and senior scholars engaged in ambitious and methodologically innovative research on contemporary Chinese art. Their multi-faceted, in part interdisciplinary approaches are complemented by four contributions by distinguished practitioners in the field, who - as art curators and critics - are located in China and explore key developments within Chinese art and the changing art scene of the last three decades.
Details
Weitere ISBN/GTIN9783958994607
ProduktartE-Book
EinbandartE-Book
FormatPDF
Format Hinweis1 - PDF Watermark
FormatE107
Erscheinungsjahr2012
Erscheinungsdatum12.07.2012
Auflage1. Auflage
Seiten374 Seiten
SpracheEnglisch
Dateigrösse16813 Kbytes
Artikel-Nr.11133497
Rubriken
Genre9201

Inhalt/Kritik

Inhaltsverzeichnis
1;Cover;1
2;Imprint;4
3;Contents;5
4;Preface;9
5;Introduction;11
5.1;Negotiating Difference.Contemporary Chinese Art in the Global Context;11
6;Reconfiguring Modernities in China;32
6.1;Modern and Contemporary Chinese Art: Main Issues;32
6.2;Landscapes of Exclusion: The No Name Group and the Multiple Modernities in Chinese Art around 1979;47
7;Questioning Representations of Chineseness by Inhabiting Events of Cultural Difference;61
7.1;Destroy the Mirror of Representation. Chinese Moving-Image Installation Art in the Third Space;61
7.2;Cai Guo-Qiang s Explosion Events as Performances of Planetarity?;73
8;Re-envisioning Chinese Landscape Painting;85
8.1;At the Threshold of (In-)Visibility. Qiu Shihua s White Landscape Paintings;85
8.2;When Contemporary Art Encounters a National Treasure: Fan Kuan s Travellers within Mountains and Streams;96
9;Concepts of Body and Gender;109
9.1;Reclaiming the Body: Gender Subjectivities in the Performance Art of He Chengyao;109
9.2;Elusive Disclosures, Shooting Desire. Xiao Lu and the Missing Sex of Post-89 Performance Art in China;123
10;Strategies of (Dis-)Engagement;137
10.1;Alternative Spatial Practices and Provisional Communitiesin Contemporary China;137
10.2;The Pursuit of Publicness;153
10.3;State of the Art:Davide Quadrio in Conversation with Paul Gladston;167
11;The Production of Meaning and Market;184
11.1;China s Emerging Art Market:Debates on Art, Criticism, and Commodity in the early 1990s;184
11.2;Contemporary Chinese Art in the International Auction Market: An Insider s Overview and Assessment in Comparative Perspective;194
11.3;Neither Here nor There:Notes on a Mediated History of Contemporary Art in China;211
11.4;China and the World of Contemporary Art:Repositioning the Art System in China;220
11.5;Locating Displacement: Envisioning the Complex Diasporization of Contemporary Chinese Art;236
12;Agency in Spaces of Production and Presentation;252
12.1;The Third Studio: How Pedagogical Realism Effects Art Production in the Academy and Beyond;252
12.2;Lost and Found Dogs: Desiring Production in Qiu Anxiong s We Are the World;266
12.3;The Dawn of Chinese Contemporary Art in the West. A Look Back at the Making of the Exhibition China Avantgarde 1993;276
12.4;(Dis-)Playing Mahjong. Uli Sigg and the Power of Private Collectors in the Global Canonization of Chinese Contemporary Art;291
13;Afterword;309
13.1;Critical Reflections on the New Challenges of East Asian Art History in the Global Context;309
14;Appendix;314
14.1;Glossary of Chinese Terms;314
14.2;Index;327
14.2.1;Index of Names;327
14.2.2;Index of Key Terms;332
14.2.3;Index of Exhibitions;343
14.2.4;Index of Art Journals;344
14.3;Short Biographies of the Authors;345
15;Color plates;349mehr

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