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Einband grossThe Red Shoes
ISBN/GTIN

The Red Shoes

E-BookPDFDRM AdobeE-Book
112 Seiten
Englisch
Bloomsbury UKerschienen am05.10.20231. Auflage
Endlessly fascinating, dark and bright, The Red Shoes (1948) employs every branch of the cinematic arts to sweep the audience off its feet, invigorated by the transcendence of art itself, only to leave them with troubling questions. Representing the climax of Michael Powell and Emeric Pressburger's celebrated run of six exceptional feature films, the film remains a beloved, if unsettling and often divisive, classic.

Pamela Hutchinson's study of the film examines its breathtaking use of Technicolor, music, choreography, editing and art direction at the zenith of Powell and Pressburger's capacity for 'composed cinema'. Through a close reading of key scenes, particularly the film's famous extended ballet sequence, she considers the unconventional use of ballet as uncanny spectacle and the feminist implications of the central story of female sacrifice.

Hutchinson goes on to consider the film's lasting and wide-reaching influence, tracing its impact on the film musical genre and horror cinema, with filmmakers such as Joanna Hogg, Sally Potter, Martin Scorsese and Brian De Palma having cited the film as an inspiration.
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Verfügbare Formate
BuchKartoniert, Paperback
EUR17,00
E-BookPDFDRM AdobeE-Book
EUR14,99
E-BookEPUBDRM AdobeE-Book
EUR14,99

Produkt

KlappentextEndlessly fascinating, dark and bright, The Red Shoes (1948) employs every branch of the cinematic arts to sweep the audience off its feet, invigorated by the transcendence of art itself, only to leave them with troubling questions. Representing the climax of Michael Powell and Emeric Pressburger's celebrated run of six exceptional feature films, the film remains a beloved, if unsettling and often divisive, classic.

Pamela Hutchinson's study of the film examines its breathtaking use of Technicolor, music, choreography, editing and art direction at the zenith of Powell and Pressburger's capacity for 'composed cinema'. Through a close reading of key scenes, particularly the film's famous extended ballet sequence, she considers the unconventional use of ballet as uncanny spectacle and the feminist implications of the central story of female sacrifice.

Hutchinson goes on to consider the film's lasting and wide-reaching influence, tracing its impact on the film musical genre and horror cinema, with filmmakers such as Joanna Hogg, Sally Potter, Martin Scorsese and Brian De Palma having cited the film as an inspiration.
Details
Weitere ISBN/GTIN9781839026089
ProduktartE-Book
EinbandartE-Book
FormatPDF
Format HinweisDRM Adobe
Erscheinungsjahr2023
Erscheinungsdatum05.10.2023
Auflage1. Auflage
Seiten112 Seiten
SpracheEnglisch
Dateigrösse25347 Kbytes
Illustrationen60 colour illus
Artikel-Nr.12230348
Rubriken
Genre9200

Inhalt/Kritik

Inhaltsverzeichnis
Acknowledgments
1.First position: 'Put on the red shoes, Vicky'
2.Overture: the rabbit in the hat
3.Pas de deux: Powell and Pressburger
4.The company: 'enough genius in each man or woman'
5.Balletomania: 'To live? To dance.'
6.The ballet: 'I am that horror'
7.Coda: 'doubtful comforts'
Notes
Credits
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