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Noisy Oceans

E-BookEPUB2 - DRM Adobe / EPUBE-Book
288 Seiten
Englisch
John Wiley & Sonserschienen am04.12.20231. Auflage
Noisy Oceans
Measuring devices such as ocean bottom seismometers and hydrophones designed to detect earthquakes pick up many other signals. These were previously ignored as background noise from unknown sources, but advanced technology now allows insights into the noise created from icebergs, ships, hydrothermal vents, whales, rain, marine engineering, and more.
Noisy Oceans: Monitoring Seismic and Acoustic Signals in the Marine Environment is a comprehensive guide to non-tectonic marine noise originating from different environmental, biological, and anthropogenic sources.
Volume highlights include: Overview of marine soundscapes and their sources
Existing and new methods for studying acoustic signals
Case studies from around the world
Spans disciplines from geology and geophysicists to biology
Explores the impacts and implications of marine noise

The American Geophysical Union promotes discovery in Earth and space science for the benefit of humanity. Its publications disseminate scientific knowledge and provide resources for researchers, students, and professionals.


Gaye Bayrakci, National Oceanography Centre, UK
Frauke Klingelhoefer, IFREMER (French National Institute for Ocean Science), France
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EUR193,50
E-BookPDF2 - DRM Adobe / Adobe Ebook ReaderE-Book
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E-BookEPUB2 - DRM Adobe / EPUBE-Book
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Produkt

KlappentextNoisy Oceans
Measuring devices such as ocean bottom seismometers and hydrophones designed to detect earthquakes pick up many other signals. These were previously ignored as background noise from unknown sources, but advanced technology now allows insights into the noise created from icebergs, ships, hydrothermal vents, whales, rain, marine engineering, and more.
Noisy Oceans: Monitoring Seismic and Acoustic Signals in the Marine Environment is a comprehensive guide to non-tectonic marine noise originating from different environmental, biological, and anthropogenic sources.
Volume highlights include: Overview of marine soundscapes and their sources
Existing and new methods for studying acoustic signals
Case studies from around the world
Spans disciplines from geology and geophysicists to biology
Explores the impacts and implications of marine noise

The American Geophysical Union promotes discovery in Earth and space science for the benefit of humanity. Its publications disseminate scientific knowledge and provide resources for researchers, students, and professionals.


Gaye Bayrakci, National Oceanography Centre, UK
Frauke Klingelhoefer, IFREMER (French National Institute for Ocean Science), France
Details
Weitere ISBN/GTIN9781119750918
ProduktartE-Book
EinbandartE-Book
FormatEPUB
Format Hinweis2 - DRM Adobe / EPUB
FormatFormat mit automatischem Seitenumbruch (reflowable)
Erscheinungsjahr2023
Erscheinungsdatum04.12.2023
Auflage1. Auflage
Seiten288 Seiten
SpracheEnglisch
Dateigrösse21819 Kbytes
Artikel-Nr.13151941
Rubriken
Genre9201

Inhalt/Kritik

Inhaltsverzeichnis
Preface

1. An Introduction to the Ocean Soundscape
Gaye Bayracki and Frauke Klingelhoefer

2. Seismic Ambient Noise: Application to Taiwanese Data
Emmy T.Y. Chang, Yung-Cheng Gung, and Ying-Nien Chen

3. Seasonal and Geographical Variations in the Quantified Relationship Between Significant Wave Heights and Microseisms: An Example from Taiwan
Jing-Yi Lin, Chuen-Teyr Terng, Chien-Chih Chen, and Chung-Hsiang Mu

4. Listening for Diverse Signals from Emergent and Submarine Volcanoes
Chastity Aiken

5. Seismic and Acoustic Monitoring of Submarine Landslides: Ongoing Challenges, Recent Successes and Future Opportunities
Michael A. Clare, D. Gwyn Lintern, Edward Pope,Megan Baker, Sean Ruffell, Mohammad Zulkifli, Stephen Simmons, Morelia Urlaub, Belal Mohamed, and Peter J. Talling

6. Iceberg Noise
Vera Schlindwein

7. The Sound of Hydrothermal Vents
Brendan Smith and David Barclay

8. Atypical Signals: Characteristics and Sources of Short Duration Events
Jean B. Tary

9. Short Duration Events Associated with Active Seabed Methane Venting: Scanner Pockmark, North Sea
Gaye Bayrakci, Jonathan M. Bull, Tim A. Minshull, Adam H. Robinson, Aude Lavayssiere, Finnigan Illsley-Kemp, Timothy J. Henstock, Calum Macdonald, and Mark Chapman

10. Ambient Bubble Acoustics: Seep, Rain and Wave Noise
Ben Roche, Timothy G. Leighton, Paul R. White, and Jonathan M. Bull

11. Vocalisations of Baleen Whales
Paul R. White and Victoria Todd

12. Tracking and Monitoring Fin Whales Offshore Northwest Spain Using Passive Acoustic Methods
Jessica Fisher, Timothy A. Minshull, Paul R. White, Baj Tian, and Gaye Bayracki

13. Noise from Marine Traffic
David Dellong, Bazile G. Kinda, and Florent Le Courtois

14. Tracking Multiple Underwater Vessels with a Passive Sonar Using Beamforming and a Trajectory PHD filter
Wei Yi, Ángel F. García-Fernández, and Boxiang Zhang

15. Deciphering the Submarine Soundscape: New Insights, Broader Implications, Future Directions
Gaye Bayracki and Frauke Klingelhoefer
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Leseprobe

1
An Introduction to the Ocean Soundscape

Gaye Bayrakci1 and Frauke Klingelhoefer2

1National Oceanography Centre, Southampton, UK

2IFREMER, Centre Bretagne, Plouzané, France
ABSTRACT

The ocean soundscape is composed of sound from natural origins related to geological processes (geophony) and marine life (biophony) and of manmade origin (anthrophony). Early seismologic studies focused on earthquakes and classified most other signals as noise. Recent studies have shown that geological processes originating from the seafloor and subseafloor (submarine volcanoes, landslides, etc.) and the water column (e.g., microseisms and icebergs) are also recorded by seismoacoustic instruments and provide important information about how our planet works. Sound is the primary way that many marine species gather information and understand their environment, and it is a valuable tool for us to study their behavior. There has been a substantial increase in anthropogenic noise in the oceans since the Industrial Revolution, and assessing the human impact on the oceans is an emerging topic aiming to leave a healthy ocean for future generations. In this chapter, we briefly present the types of seismic waves and noise sources in the oceans. We explain the seismoacoustic tools used to record noise and give an overview of standard data-processing methods to familiarize the reader with the concepts discussed in this book. We then summarize the following chapters and discuss future directions for seismoacoustic noise research.
1.1 INTRODUCTION

Early seismoacoustic submarine recording involved instruments towed behind a ship or installed on the seafloor, primarily to record earthquakes or seismic shots. Other sounds were classified as undesired noise and either cut out or filtered from the data. An earthquake is the shaking of the Earth due to movement along a fault or discontinuity within the Earth s subsurface (Aki, 1972). The sudden displacement along the fault generates seismic waves corresponding to elastic waves. These waves are studied extensively by earthquake seismologists because of their impacts on human life and because they provide insight into the properties of the media in which they travel (Agnew et al., 2002). The Oxford English Dictionary defines noise as a loud or unpleasant sound, or irregular fluctuations that accompany a transmitted signal but are not part of it and tend to obscure it. Since seismology is the branch of science concerned with earthquakes and related phenomena, signals of biological or anthropogenic origin are considered noise in earthquake seismology.

Studies of ocean noise began in the 1960s with the advent of more affordable data storage and better instrument performance. They showed that the oceans are far from silent and are filled with noises from different origins: human, biological, and tectonic. In this book, we present many of these nonearthquake-related ocean noises and explain various methods to interpret them.

The ambient sound field in the oceans is composed of sounds from natural and manmade processes. Natural noise sources in the oceans are of abiotic/geological (geophony) and biological (biophony) origin. Examples of geophony include microseisms related to the interactions of wind with oceans, volcanic events, landslides, icebergs, hydrothermal noise, rain, breaking waves, and gas bubbles, whereas biophony includes marine mammal vocalizations and noise from other marine species (e.g., crabs and shrimp). Ocean noise also includes manmade noise (anthrophony), which results from resource extraction (e.g., underwater mining), coastal or marine construction (e.g., pipeline and wind turbines), explosions, coastal and marine traffic, seismic exploration, navigation tools, etc.

Human audible sound is limited to 20 Hz to 20 kHz frequencies, but the term sound refers to more than sounds audible to humans. It means an oscillation in pressure corresponding to a particle displacement: that is, back-and-forth movement of particles caused by a passing wave. Within the oceans, as elsewhere, this expands over a wider range of frequencies than human audible sound.

Often, the origin of repeatedly recorded signals in the ocean remains unknown because there is no visual proof of their origin. For example, short-duration events (SDEs) with durations of a few seconds have been observed on seismic records since the early 1980s; however, their origin remains unknown (see Chapter 8 of this book). At first, these events were explained as fish colliding with the instruments due to an observed decrease in the number of observations with increasing instrument depth (Buskirk et al., 1981). Later studies proposed different origins related to instruments settling into the sediment (Ostrovsky, 1989), microearthquakes (Sohn et al., 1995), oscillating clouds of methane bubbles in the water column (Pontoise & Hello, 2002), and release of gas from subsurface sediments (Bayrakci et al., 2014; Diaz et al., 2007; Sultan et al., 2011). In an attempt to define the origin of SDEs and other seismoacoustic signals, Batsi et al. (2019) deployed ocean-bottom seismometers in front of a submarine observatory, monitoring the environment with an underwater camera. They found that marine species such as crabs and octopuses frequently interact with the instruments and leave signals in the seismic records (Fig. 1.1); however, no fish were observed colliding with the ocean-bottom seismometer (OBS) spheres. During a different experiment in a fish tank filled with sediments and water, Batsi et al. (2019) also recorded gas bubbles leaving the sediments. They concluded that SDEs are signals resulting from gas expulsions from the subsurface. Although there is growing evidence for the relationship between SDEs and seafloor gas expulsion, the exact mechanism that generates these events (collapse of seafloor gas migration conduits, vibration of the conduit walls, migration pathways opening via hydraulic fracturing, etc.) is still debated, illustrating the challenge of clearly associating each signal with its origin.

This book aims to provide a comprehensive list of nontectonic seismic signals recorded in the ocean (Fig. 1.2). It includes review and case-study chapters describing the characteristics of different signals, explaining the methods used for identifying and interpreting these signals and their wider significance. For each type of signal, peer-reviewed publications by domain experts can be found in the literature. Since human impact on the oceans is a subject of growing importance, recent review papers on this topic (Duarte et al., 2021; Williams et al., 2015) are also available. However, to our knowledge, no book introduces all or most known noise sources in the oceans. Policy frameworks (e.g., the United Nation s Convention on Biological Diversity or the European Commission s Marine and Coastal Environment Policy) with recommendations and goals to reduce human impact on the ocean also introduce noise sources encountered in the oceans, but they usually lack the seismoacoustic methodology related to noise identification and analysis as this is not part of their communication goals. Because some ocean noises originate within the water column and are studied by acousticians, and some originate from the subseafloor and are studied by seismologists, different terminology can act as a barrier to knowledge transfer between two very close branches of science. Here, our goal has been to produce a homogenized scientific and educative document that summarizes various types of signals for the curious reader, policymaker, student, or researcher.

In this introductory chapter, we briefly present the types of seismic waves and different noise sources within the oceans. We then explain the tools for recording ocean noise and give an overview (nonexhaustive) of common data processing methods to familiarize the reader with the concepts discussed in the following chapters. We also offer short summaries of each chapter and finish with a subsection on the future directions of seismoacoustic noise research.
1.2 SEISMIC WAVES

A seismic wave is an elastic wave generated by an impulse such as an earthquake or an explosion (https://www.usgs.gov/media/images/what-was-richter-scale). Seismic waves can travel within the Earth s subsurface, where they are called body waves, or along Earth s surfaces, where they are called surface waves.
1.2.1 Body Waves

Body waves include primary waves (P-waves) and secondary waves (S-waves). P-waves are compressional waves that travel and displace particles longitudinally, parallel to the direction of the propagating wave. They travel faster than other waves and can propagate in all types of material, including liquids. P-waves are also called acoustic waves because they travel as pressure fluctuations in fluids. S-waves, also called shear waves, travel and displace particles transversely, perpendicular to the direction of propagation. Their speed is related to the medium's shear modulus; therefore, they do not travel in liquids, as liquids do not have any shear strength. In an anisotropic medium where, for example, the mineral crystals have varying properties in different directions (i.e., lattice-preferred orientation) or the medium is made of thin layers of contrasting properties (i.e., shape-preferred orientation), S-wave splitting (or S-wave birefringence) occurs. Here, S-waves split into...
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