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Einband grossEssays on the Performance of Baroque Music
ISBN/GTIN

Essays on the Performance of Baroque Music

E-BookPDF0 - No protectionE-Book
344 Seiten
Englisch
Taylor & Franciserscheint am28.10.20241. Auflage
In this collection of essays, Mary Cyr explores some of the written and unwritten performance conventions that applied to French and English music of the seventeenth and early-eighteenth centuries. Using composers' own notations, marks added by eighteenth-century performers, historical treatises, and pictorial evidence, she investigates both vocalmehr
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E-BookPDF0 - No protectionE-Book
EUR196,99
E-BookEPUB0 - No protectionE-Book
EUR196,99

Produkt

KlappentextIn this collection of essays, Mary Cyr explores some of the written and unwritten performance conventions that applied to French and English music of the seventeenth and early-eighteenth centuries. Using composers' own notations, marks added by eighteenth-century performers, historical treatises, and pictorial evidence, she investigates both vocal
Details
Weitere ISBN/GTIN9781040231876
ProduktartE-Book
EinbandartE-Book
FormatPDF
Format Hinweis0 - No protection
Erscheinungsjahr2024
Erscheinungsdatum28.10.2024
Auflage1. Auflage
Seiten344 Seiten
SpracheEnglisch
Dateigrösse25387 Kbytes
Artikel-Nr.16430948
Rubriken
Genre9200

Inhalt/Kritik

Inhaltsverzeichnis
Contents: Part 1 Vocal Music in France: Ã0/00lisabeth-Claude Jacquet de La Guerre: a biographical essay; The sacred and secular cantatas of Ã0/00lisabeth-Claude Jacquet de La Guerre: an introduction; Representing Jacquet de La Guerre on disc: scoring and basse continue practices and a new painting of the composer; A new Rameau cantata; Performing Rameau's cantatas; Towards a chronology of Rameau's cantatas; Declamation and expressive singing in recitative; 18th-century French and Italian singing: Rameau's writing for the voice; On performing 18th-century haute-contre roles; Basses and basse continue in the orchestra of the Paris Opéra, 1700-1764; The dramatic role of the chorus in French opera: evidence for the use of gesture, 1670-1770; The Paris Opéra chorus during the time of Rameau; 'Inclina Domine': a Martin motet wrongly attributed to Rameau; Preface to François Martin, Petits Motets for One and Two Solo Voices with Instruments; Bach's music in France: a new source. Part 2 The Viol and Violin in England: A 17th-century source of ornamentation for voice and viol: British Museum ms. Egerton 2971; Carl Friedrich Abel's solos: a musical offering to Gainsborough?; Books on old violins and 19th-century playing from the bequest of T.W. Mills; Tempo graduations in Purcell's sonatas; Violin playing in late 17th-century England: Baltzar, Matteis, and Purcell; Ornamentation in English lyra viol music: part 1: slurs, juts, and thumpes and other 'graces' for the bow; Ornamentation in English lyra viol music: part 2: shakes, relishes, falls, and other 'graces' for the left hand; Index.mehr