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Metafilm Music in Jean-Luc Godard's Cinema

TaschenbuchKartoniert, Paperback
520 Seiten
Englisch
Oxford University Presserschienen am12.10.2022
With the novel approach of metafilm music, extrapolated from Jean-Luc Godard's oeuvre, this book not only closes up a crucial gap in Godard research, but also offers detailed analyses of the music as metafilm music in Contempt, Alphaville, Band of Outsiders, Pierrot le fou, First Name: Carmen, Histoire(s) du cinéma, among other films and video productions.mehr
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TaschenbuchKartoniert, Paperback
EUR56,50
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Produkt

KlappentextWith the novel approach of metafilm music, extrapolated from Jean-Luc Godard's oeuvre, this book not only closes up a crucial gap in Godard research, but also offers detailed analyses of the music as metafilm music in Contempt, Alphaville, Band of Outsiders, Pierrot le fou, First Name: Carmen, Histoire(s) du cinéma, among other films and video productions.
Details
ISBN/GTIN978-0-19-049716-3
ProduktartTaschenbuch
EinbandartKartoniert, Paperback
FormatTrade Paperback (USA)
Erscheinungsjahr2022
Erscheinungsdatum12.10.2022
Seiten520 Seiten
SpracheEnglisch
MasseBreite 157 mm, Höhe 236 mm, Dicke 27 mm
Gewicht771 g
Artikel-Nr.58413532

Inhalt/Kritik

Inhaltsverzeichnis
Introduction: For Ever Metafilm Music PART I: METAFILM MUSIC, FRAGMENTATION, REPETITION, AND QUOTATION 1. Gapped Music in Godard's 1960s Films: Dissection of the Musical Unity as a Self-Reflexive Exercise 2. Leitmotif Technique Revisited: Indexical Function of Multiply Repeated Musical Fragments in Godard's 1960s Films as Manifestations of Metafilm Music 3. The Undoing of the Leitmotif Technique: Quotation, Fragmentation, and Repetition in Godard's 1960s Films with Beethoven, Schumann, and Pseudo-Bach as Metafilm Music 4. Quoting Popular Songs: Chanson and Canzone as Metafilm Music in Godard's Work PART II: METAFILM MUSIC AND GENRE REFERENCE 5. Referencing Silent Film Music: Metafilm Music, Mise en Scène, Acting, and Storytelling 6. Referencing Music-Specific Genres and Genre-Specific Music: Metafilm Music, "Cinéma-en-kit" Musical, and Pastiched Film Noir Music 7. Referencing Film Music as a Genre: Metafilm Music, Prototypes of Film Music as Genre Mash-Up, and Melodramatic Commutation PART III: METAFILM MUSIC, MUSIC MAKING, AND FILMMAKING 8. Music-Making as Metaphor for Filmmaking I: Metafilm Music in One Plus One and Prénom: Carmen 9. Music-Making as Metaphor for Filmmaking II: Metafilm Music in Soigne ta droite (Une place sur la terre) Conclusion: Two or Three Things I Know about Metafilm Music(s) Notes Works Cited Indexmehr

Autor

Michael Baumgartner teaches at Cleveland State University. His research focuses on music in relation to cinema, theater, and visual arts, music of the twentieth and twenty-first centuries, and the exploration of the narrative capacity of music. He is the author of the monograph Exilierte Göttinnen: Frauenstatuen im Bühnenwerk von Kurt Weill, Thea Musgrave und Othmar Schoeck (2012) and the co-editor of the three anthologies Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War; Music, Ideology, Commerce, and Popular Cinema in Europe: 1940s to 1980s; and Music, Process, Narration, and Art Cinema in Europe: 1940s to 1980s (2020-22).