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The Merry Wives of Windsor

The New Oxford Shakespeare
TaschenbuchKartoniert, Paperback
Englisch
Oxford University Presserschienen am11.04.2024
The New Oxford Shakespeare edition of The Merry Wives of Windsor provides a friendly yet authoritative introduction to Shakespeare's beloved comedy.mehr
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BuchKartoniert, Paperback
EUR30,20
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EUR27,40
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EUR14,50
TaschenbuchKartoniert, Paperback
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EUR7,99
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Produkt

KlappentextThe New Oxford Shakespeare edition of The Merry Wives of Windsor provides a friendly yet authoritative introduction to Shakespeare's beloved comedy.
Details
ISBN/GTIN978-0-19-287357-6
ProduktartTaschenbuch
EinbandartKartoniert, Paperback
Erscheinungsjahr2024
Erscheinungsdatum11.04.2024
ReiheOxford World's Classics
SpracheEnglisch
MasseBreite 131 mm, Höhe 195 mm, Dicke 12 mm
Gewicht152 g
Artikel-Nr.60618120

Inhalt/Kritik

Inhaltsverzeichnis
General Editors' Preface to The New Oxford ShakespeareIntroductionNote on the TextSelect BibliographyA Chronology of William ShakespeareTHE MERRY WIVES OF WINDSORmehr

Autor

Callan Davies works across early modern literary, cultural, and theatre history. He has been part of three UKRI-funded projects-Before Shakespeare, Middling Culture, and Box Office Bears-and has taught at several UK universities and as a Globe Education Lecturer at Shakespeare's Globe. He has published a study of the early modern entertainment industry, What is a Playhouse? England at Play, 1520-1620 (2022), and also widely on sixteenth- and seventeenth-century culture. His work also includes an award-winning essay on bowling alleys in sixteenth-century London, an article exploring female playhouse ownership and cultural activity in Bristol, a study of Shakespearean bears and bear-keepers, and a book on Jacobean "strangeness" and drama.

Sarah Neville is an Associate Professor of English at the Ohio State University with a courtesy appointment in Theatre, Film, and Media Arts. She specializes in early modern English literature, bibliography, theories of textuality, and performance, chiefly examining the ways that authority is negotiated in print, digital, and live media. She is an assistant editor of the New Oxford Shakespeare (2016-17), for which she edited five plays in both old and modern-spelling editions, as well as an associate coordinating editor of the Digital Renaissance Editions.