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Two Men and Music

Nationalism in the Making of an Indian Classical Tradition
BuchGebunden
360 Seiten
Englisch
Oxford University Press, USAerschienen am20.10.2005
A provocative account of the development of modern national culture in India using classical music as a case study. Janaki Bakhle demonstrates how the emergence of an "Indian" cultural tradition reflected colonial and exclusionary practices, particularly the exclusion of Muslims by the Brahmanic elite, which occurred despite the fact that Muslims were the major practiti oners of the Indian music that was installed as a "Hindu" national tradition. This book lays barehow a nation's imaginings-from politics to culture-reflect rather than transform societal divisions.mehr
Verfügbare Formate
BuchGebunden
EUR103,50
TaschenbuchKartoniert, Paperback
EUR46,00
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EUR41,49

Produkt

KlappentextA provocative account of the development of modern national culture in India using classical music as a case study. Janaki Bakhle demonstrates how the emergence of an "Indian" cultural tradition reflected colonial and exclusionary practices, particularly the exclusion of Muslims by the Brahmanic elite, which occurred despite the fact that Muslims were the major practiti oners of the Indian music that was installed as a "Hindu" national tradition. This book lays barehow a nation's imaginings-from politics to culture-reflect rather than transform societal divisions.
Details
ISBN/GTIN978-0-19-516610-1
ProduktartBuch
EinbandartGebunden
FormatGenäht
Erscheinungsjahr2005
Erscheinungsdatum20.10.2005
Seiten360 Seiten
SpracheEnglisch
MasseBreite 156 mm, Höhe 234 mm, Dicke 21 mm
Gewicht671 g
Artikel-Nr.58503810

Inhalt/Kritik

Inhaltsverzeichnis
Introduction ; 1. The Prince and the Musician ; 2. Music Enters the Public Sphere: Colonial Writing, Marathi Theater, Music Appreciation Societies ; 3. Vishnu Narayan Bhatkhande: The Contradictions of Music's Modernity ; 4. The Certainty of Music's Modernity: Pandit Vishnu Paluskar (1872-1931) ; 5. Music in Public and National Conversation: Conferences, Institutions, and Agendas, 1916-1928 ; 6. The Musician and Gharana Modern: Abdul Karim Khan and Hirabai Badodekar ; Conclusion: A Critical History of Music: Beyond Nostalgia and Celebration ; Bibliography ; Indexmehr