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Existentialist Cinema

BuchGebunden
244 Seiten
Englisch
Springer Palgrave Macmillanerschienen am31.03.20092009
An exploration of the relationship between cinema and existentialism, in terms of their mutual ability to describe the human condition, this book combines analyses of topics in the philosophy of film with an exploration of specific existentialist themes expressed in the films of Fellini, Bergman and Woody Allen, among others.mehr
Verfügbare Formate
BuchGebunden
EUR56,00
BuchKartoniert, Paperback
EUR53,49
E-BookPDF1 - PDF WatermarkE-Book
EUR53,49

Produkt

KlappentextAn exploration of the relationship between cinema and existentialism, in terms of their mutual ability to describe the human condition, this book combines analyses of topics in the philosophy of film with an exploration of specific existentialist themes expressed in the films of Fellini, Bergman and Woody Allen, among others.
ZusammenfassungFilm and philosophy is an area of rapidly increasing academic interest Original: the first time film has been used to support a sustained critical assessment of existentialism Includes analysis of popular and widely-studied films e.g. La Dolce Vita, Manhattan, Dead Poets Society Provides new discussions of popular existentialist themes like freedom, bad faith, authenticity, and religiosity Describes how filmic techniques can uniquely convey the human condition in ways that a philosophical essay cannot Employs clear explanations of concepts in philosophy and film theory that makes the book very accessible to non-specialists
Details
ISBN/GTIN978-0-230-57459-5
ProduktartBuch
EinbandartGebunden
Erscheinungsjahr2009
Erscheinungsdatum31.03.2009
Auflage2009
Seiten244 Seiten
SpracheEnglisch
Gewicht411 g
IllustrationenIX, 244 p. 9 illus.
Artikel-Nr.14841624

Inhalt/Kritik

Inhaltsverzeichnis
List of Illustrations Introduction PART I: SETTING THE STAGE: THEORETICAL ISSUES Existentialism: An Overview of Important Themes and Figures Film as Tool for Philosophical Investigation Film Realism and Narrative Identity PART II: MEANINGFUL MOVIES Antonioni: Meaninglessness and the Modern World Religiosity in the Films of Ingmar Bergman Rethinking Raskolnikov: Exploring Contemporary Ethical Challenges in the Films of Woody Allen Authenticity in the Films of Federico Fellini The Nietzschean Free Spirit in Dead Poets Society and Harold and Maude Conclusion Notes Bibliography Indexmehr

Autor

WILLIAM C. PAMERLEAU is Associate Professor in the Department of Philosophy at the University of Pittsburgh at Greensburg, USA. He has published in the areas of philosophy of film, existentialism, and social philosophy.
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Pamerleau, W.