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Waikiki Dreams

How California Appropriated Hawaiian Beach Culture
TaschenbuchKartoniert, Paperback
316 Seiten
Englisch
University of Illinois Presserschienen am05.08.2024
Despite a genuine admiration for Native Hawaiian culture, white Californians of the 1930s ignored authentic relationships with Native Hawaiians. Surfing became a central part of what emerged instead: a beach culture of dressing, dancing, and acting like an Indigenous people whites idealized. Patrick Moser uses surfing to open a door on the cultural appropriation practiced by Depression-era Californians against a backdrop of settler colonialism and white nationalism. Recreating the imagined leisure and romance of life in WaikÄ«kÄ« attracted people buffeted by economic crisis and dislocation. California-manufactured objects like surfboards became a physical manifestation of a dream that, for all its charms, emerged from a white impulse to both remove and replace Indigenous peoples. Moser traces the rise of beach culture through the lives of trendsetters Tom Blake, John Doc Ball, Preston Pete Peterson, Mary Ann Hawkins, and Lorrin Whitey Harrison while also delving into California´s control over images of Native Hawaiians via movies, tourism, and the surfboard industry. Compelling and innovative, WaikÄ«kÄ« Dreams opens up the origins of a defining California subculture.mehr
Verfügbare Formate
BuchGebunden
EUR141,50
TaschenbuchKartoniert, Paperback
EUR30,00

Produkt

KlappentextDespite a genuine admiration for Native Hawaiian culture, white Californians of the 1930s ignored authentic relationships with Native Hawaiians. Surfing became a central part of what emerged instead: a beach culture of dressing, dancing, and acting like an Indigenous people whites idealized. Patrick Moser uses surfing to open a door on the cultural appropriation practiced by Depression-era Californians against a backdrop of settler colonialism and white nationalism. Recreating the imagined leisure and romance of life in WaikÄ«kÄ« attracted people buffeted by economic crisis and dislocation. California-manufactured objects like surfboards became a physical manifestation of a dream that, for all its charms, emerged from a white impulse to both remove and replace Indigenous peoples. Moser traces the rise of beach culture through the lives of trendsetters Tom Blake, John Doc Ball, Preston Pete Peterson, Mary Ann Hawkins, and Lorrin Whitey Harrison while also delving into California´s control over images of Native Hawaiians via movies, tourism, and the surfboard industry. Compelling and innovative, WaikÄ«kÄ« Dreams opens up the origins of a defining California subculture.
Details
ISBN/GTIN978-0-252-08801-8
ProduktartTaschenbuch
EinbandartKartoniert, Paperback
FormatTrade Paperback (USA)
Erscheinungsjahr2024
Erscheinungsdatum05.08.2024
Seiten316 Seiten
SpracheEnglisch
MasseBreite 152 mm, Höhe 226 mm, Dicke 24 mm
Gewicht499 g
Artikel-Nr.60984249

Inhalt/Kritik

Inhaltsverzeichnis
Acknowledgements A Note on Hawaiian Language Introduction Prologue: California Beach Culture in the 1920s--The Decade of Duke Part I. The Builders The Dreamer The Photographer The Waterman The Waterwoman The Traveler Part II. The Beaches Palos Verdes San Onofre Malibu Part III. The Dream Hawaiian Surfboard and the Writing of Surf History Epilogue: California Beach Culture during World War II Notes Bibliography Indexmehr