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The Revolutionary 'I'

Wordsworth and the Politics of Self-Presentation
BuchGebunden
187 Seiten
Englisch
Springer Palgrave Macmillanerschienen am08.07.19981998
In the winter of 1798-99, shut up in the freezing German town of Goslar, William Wordsworth began producing a series of lyrical fragments that appeared first in letters written to Coleridge and emerged eventually as source texts for The Prelude .mehr
Verfügbare Formate
BuchGebunden
EUR111,50
E-BookPDF1 - PDF WatermarkE-Book
EUR96,29

Produkt

KlappentextIn the winter of 1798-99, shut up in the freezing German town of Goslar, William Wordsworth began producing a series of lyrical fragments that appeared first in letters written to Coleridge and emerged eventually as source texts for The Prelude .
Details
ISBN/GTIN978-0-333-71889-6
ProduktartBuch
EinbandartGebunden
Erscheinungsjahr1998
Erscheinungsdatum08.07.1998
Auflage1998
ReiheRomanticism in Perspective:Texts, Cultures, Histories
Seiten187 Seiten
SpracheEnglisch
Gewicht350 g
IllustrationenXX, 187 p.
Artikel-Nr.23495958

Inhalt/Kritik

Inhaltsverzeichnis
Preface: The Prelude as Prologue Silencing the (Other) Self: Wordsworth as 'Wordsworth!' in 'There was a boy' The Politics of Self Presentation: Wordsworth as Revolutionary Actor in a Literary Drama Sounds into Speech: The Two-Part Prelude of 1799 as Dialogic Dramatic Monologue Coleridge as Catalyst to Autobiography: The Wordsworthian Self as Therapeutic Gift, 1804-1805 Dialogizing Dorothy: Voicing the Feminine as Spousal Sister in The Prelude Colonizing Consciousness: Culture as Identity in Wordsworth's Prelude and Walcott's Another Life Endnotes Bibliography Indexmehr
Kritik
Ashton Nichols's The Revolutionary 'I ' trawls through versions of The Prelude up to and including the 1805 text in search of a fundamental Wordsworthian orgininality, which he believes is a generative source of most subsequent imaginative literature in English...he believes that Prelude breaks new autobiographical ground with its presentation of the I as a dramatized cultural self rather merely a mimetic revelation of identity.' - James Treadwell, The Wordsworth Circlemehr