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Mime into Physical Theatre: A UK Cultural History 1970-2000

TaschenbuchKartoniert, Paperback
280 Seiten
Englisch
Taylor & Francis Ltderschienen am03.04.2023
This is the first book to investigate the social, political, cultural, artistic and economic forces which created conditions for the rise, success and decline of mime and physical theatre in the United Kingdom, from the 1970s to 2000.mehr
Verfügbare Formate
BuchGebunden
EUR162,50
TaschenbuchKartoniert, Paperback
EUR44,50
E-BookPDF0 - No protectionE-Book
EUR47,49
E-BookEPUB0 - No protectionE-Book
EUR47,49

Produkt

KlappentextThis is the first book to investigate the social, political, cultural, artistic and economic forces which created conditions for the rise, success and decline of mime and physical theatre in the United Kingdom, from the 1970s to 2000.
Details
ISBN/GTIN978-0-367-35249-3
ProduktartTaschenbuch
EinbandartKartoniert, Paperback
Erscheinungsjahr2023
Erscheinungsdatum03.04.2023
Seiten280 Seiten
SpracheEnglisch
MasseBreite 158 mm, Höhe 233 mm, Dicke 20 mm
Gewicht429 g
Artikel-Nr.10684216
Rubriken
GenreKunst/Architektur

Inhalt/Kritik

Inhaltsverzeichnis
1. Introduction - Piecing mime together 2. The Moment of Mime 3. Cultural Economies of Mime and Physical Theatre: Ecologies of support 4. Mime and Physical Theatre beyond the Centre 5. Making Mime and Physical Theatre 6. From Scarcity to Abundance: training, education, dissemination and debate in mime and physical theatre 7. All Mimes Are Equal? 8. Conclusion - The rise and fall of mime as a cultural phenomenonmehr

Autor

Mark Evans is Professor of Theatre Training at Coventry University. He has written widely on movement, actor training and physical theatre. His recent publications include Frantic Assembly (with Mark Smith); Performance, Movement and the Body; The Routledge Companion to Jacques Lecoq (with Rick Kemp); and a critical introduction to The Moving Body by Jacques Lecoq.

Simon Murray teaches contemporary performance and theatre studies at the University of Glasgow. Previously Director of Theatre at Dartington College of Arts, he was co-founder/co-editor (with Jonathan Pitches) of the Theatre, Dance and Performance Training journal and has been a professional theatre practitioner. His disparate writings include publications on Jacques Lecoq, physical theatres, lightness, WG Sebald and performances in ruins.