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Making Culture

Commercialisation, Transnationalism, and the State of 'Nationing' in Contemporary Australia
TaschenbuchKartoniert, Paperback
184 Seiten
Englisch
CRC Presserschienen am14.08.2020
The essays in this collection suggest that the commercialisation of the production of national culture, in various ways and to varying degrees, constitutes an important shift in the configuration of the relations between state and economic power and, therefore, is one of the key influences on the progress of change in Australian culture.mehr
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EUR182,50
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Produkt

KlappentextThe essays in this collection suggest that the commercialisation of the production of national culture, in various ways and to varying degrees, constitutes an important shift in the configuration of the relations between state and economic power and, therefore, is one of the key influences on the progress of change in Australian culture.
Details
ISBN/GTIN978-0-367-59101-4
ProduktartTaschenbuch
EinbandartKartoniert, Paperback
FormatTrade Paperback (USA)
Verlag
Erscheinungsjahr2020
Erscheinungsdatum14.08.2020
Seiten184 Seiten
SpracheEnglisch
MasseBreite 156 mm, Höhe 234 mm, Dicke 10 mm
Gewicht268 g
Artikel-Nr.56298080

Inhalt/Kritik

Inhaltsverzeichnis
Introduction: Making CultureDavid Rowe, Graeme Turner and Emma WatertonPart One: The Cultural FieldsChapter OneThe Literary Field: David Carter and Michelle Kelly, The Book Trade and the Arts Ecology: Transnationalism and Digitization in the Australian Literary FieldChapter TwoThe Art Field: Tony Bennett, Beyond Nation, Beyond Art? The Rules of Art´ in Contemporary AustraliaChapter Three Deborah Stevenson, The Australian Art Field: Fairs and MarketsChapter FourThe Music Field: Shane Homan, The Music Nation´: Popular Music and Australian Cultural PolicyChapter FiveThe Media Field: Graeme Turner, Television: Commercialization, the Decline of Nationing, and the Status of the Media FieldChapter SixThe Heritage Field: Emma Waterton, A History of Heritage Policy in Australia: From Hope to PhilanthropyChapter SevenThe Sport Field: David Rowe, The Sport Field in Australia: The Market, The State, The Nation and the World Beyond in Pierre Bourdieu´s Favourite Game.Part Two: Across Cultural FieldsChapter EightThe Digital: Brett Hutchins, Crossing the Technical Rubicon´: Marketizing Culture and Fields of the DigitalChapter NineTourism: Chris Gibson, Touring Nation: The Changing Meanings of Cultural TourismChapter TenIndigeneity: Ben Dibley and Graeme Turner, Indigeneity, Cosmopolitanism and the Nation: The Project of NITVChapter ElevenMulticulturalism: Ien Ang and Greg Noble, Making Multiculture: Australia, Culture and the Ambivalent Politics of DiversityChapter 12Afterword: Toby Miller, Undoing the Bonds of Nation/Rediscovering Dead Soulsmehr

Autor

David Rowe FAHA, FASSA is an Emeritus Professor of Cultural Research in the Institute for Culture and Society, Western Sydney University. Internationally recognised for his extensive and influential publications on sport, media and popular culture, his most recent books are Global Media Sport: Flows, Forms and Futures (2011), Sport Beyond Television: The Internet, Digital Media, and the Rise of Networked Media Sport (2012), and Digital Media Sport: Technology, Power and Culture in the Network Society (2012) (both with Brett Hutchins), and (with Jay Scherer) Sport, Public Broadcasting, and Cultural Citizenship: Signal Lost? (2014).



Graeme Turner is an Emeritus Professor of Cultural Studies in the Institute for Advanced Studies in the Humanities, at the University of Queensland. He has published 24 books in film, media, communications and cultural studies, and his work has been translated into ten languages. One of the founding figures in media and cultural studies in Australia and internationally, his primary research interests over the last decade have been focused on television and new media in the post-broadcast and digital era. His most recent books include Re-Inventing the Media (2016), Television Histories in Asia: Issues and Contexts (co-edited with Jinna Tay) (2015), a revised edition of Understanding Celebrity (2014), and Locating Television: Zones of Consumption (co-authored with Anna Cristina Pertierra) (2013)



Emma Waterton is an Associate Professor in the Geographies of Heritage at Western Sydney University. She was a Research Councils UK (RCUK) Academic Fellow at Keele University from 2006-2010 and a DECRA Fellow at WSU from 2012-2016. Her research explores the interface between heritage, identity, memory and affect in both Australian and international contexts. She has published 19 books, including the monographs Politics, Policy and the Discourses of Heritage in Britain (2010), Heritage, Communities and Archaeology (co-authored with Laurajane Smith; 2009) and The Semiotics of Heritage Tourism (co-authored with Steve Watson; 2014).