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Classical Concert Studies

A Companion to Contemporary Research and Performance
BuchGebunden
362 Seiten
Englisch
Taylor & Franciserschienen am02.09.2020
Classical Concert Studies: A Companion to Contemporary Research and Performance is a landmark publication that maps out a new interdisciplinary field of Concert Studies. This companion enables students, researchers, and practitioners in the classical and contemporary music fields to understand this emerging field of research.mehr
Verfügbare Formate
BuchGebunden
EUR283,50
TaschenbuchKartoniert, Paperback
EUR56,00
E-BookEPUB0 - No protectionE-Book
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Produkt

KlappentextClassical Concert Studies: A Companion to Contemporary Research and Performance is a landmark publication that maps out a new interdisciplinary field of Concert Studies. This companion enables students, researchers, and practitioners in the classical and contemporary music fields to understand this emerging field of research.
Details
ISBN/GTIN978-0-367-85595-6
ProduktartBuch
EinbandartGebunden
FormatGenäht
Erscheinungsjahr2020
Erscheinungsdatum02.09.2020
Seiten362 Seiten
SpracheEnglisch
MasseBreite 178 mm, Höhe 254 mm, Dicke 22 mm
Gewicht875 g
Artikel-Nr.56299472

Inhalt/Kritik

Inhaltsverzeichnis
List of figures List of tablesAcknowledgementsList of contributorsConcert StudiesI. The Concert as an Event1. A Concert Theory2. Music as Text, Music as Performance3. 4´33" The Concert as a Performative Moment4. The Discovery of Listening in the Concert5. Between Formalization and Exaggeration: An Ethnomusicological Perspective6. Concert Formats: Liturgy-Ritual-Power?II. Programs, Formats, and Media7. From Program Leaflets to Listening Apps: A Brief History of Guided Listening8. Space, Light, Proximity: Aspects of Historical Performance Practice9. Preludes, Fantasias, and Collages: Improvisation, a Forgotten Art in the Classical Concert10. Concert Design: Form Follows Function11. Musical Curator and Concert Director12. The Yellow Lounge Reinvents the Concert Forum13. Strategies for the Production of PresenceIII. Space-Sound-Instruments14. Noise and Sound: The Historicity and Sociability of the Senses15. From Sound to Noise: The History of Hearing in the Nineteenth and Early Twentieth Centuries16. The Soundscape of Vienna: Pictorial Essay17. The Cultural Dimensions of Atmospheres: Sociological Observations of the resonanzraum in Hamburg18. A Sociological Reflection on the Concert Venue19. Cinema for the Ears: Technical Developments in Acoustics and Loudspeaker Systems20. Digital Encore: Virtualization, Live Coding, and New InterfacesIV. The Audience and the Musicians21. Between Audience Decline and Audience Development:Perspectives on the Professional Musician, Music Education, and Cultural Policy22. Musical, Social, and Moral Dilemmas: Investigating Audience Motivations to Attend Concerts23. Studying Music . . . And Then What? 24. "Playing Concerts Is Not Enough": On the Identity of the Deutsche Kammerphilharmonie Bremen25. Women in Music Culture: A History of (Non-)Participation?26. The Konzerthaus Berlin: A Concert Hall in Transition27. Audience Development and Engagement V. Economy and Policy28. The Influence of Economic Variables in the Concert Industry29. Roll Over Beethoven . . .: Notes on Concerts under Conditions of the Culture Industry 30. The Dematerialization of Music: How Streaming Technology Impacts Music Production and Consumption31. The "New Classic"32. Actors in the Classical Music Business: A Media Discourse Analysis VI. Concert Research33. A Manifesto of Concert Culture34. Concerto21: A Didactic Introduction for Concert Development35. The Researching Orchestra: Innovative Collaborations between Symphonic Orchestras and Knowledge Institutions36. The Classical Concert as an Object of Empirical AestheticsIndexmehr

Autor

Martin Tröndle is the WÜRTH Chair of Cultural Production at Zeppelin University, Germany, and a principal investigator of ECR-Experimental Concert Research, a project that investigates aesthetic experience in the classical concert. He is also Co-Editor-in-Chief of the peer-reviewed Journal of Cultural Management and Cultural Policy.