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The Mind-Game Film

Distributed Agency, Time Travel, and Productive Pathology
TaschenbuchKartoniert, Paperback
330 Seiten
Englisch
Taylor & Franciserschienen am29.03.2021
This book represents the culmination of Thomas Elsaesser´s intense and passionate thinking about the Hollywood mind-game film from the previous two decades.mehr
Verfügbare Formate
TaschenbuchKartoniert, Paperback
EUR47,00
E-BookPDF0 - No protectionE-Book
EUR49,99
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Produkt

KlappentextThis book represents the culmination of Thomas Elsaesser´s intense and passionate thinking about the Hollywood mind-game film from the previous two decades.
Details
ISBN/GTIN978-0-415-96812-6
ProduktartTaschenbuch
EinbandartKartoniert, Paperback
Erscheinungsjahr2021
Erscheinungsdatum29.03.2021
Seiten330 Seiten
SpracheEnglisch
Gewicht453 g
Artikel-Nr.57745369

Inhalt/Kritik

Inhaltsverzeichnis
Silvia Vega-Llona, "Prologue: Thomas Elsaesser and The Mind-Game Film" Warren Buckland, "The Mind-Game Film: Provenance of a Concept" Dana Polan, "Minding Hollywood" Seung-hoon Jeong, "Politicizing the Mind-Game Film" 1. On Mind-Game Films as Tipping Points: The Challenges of Cinema in the New Century 2. Too Late, Too Soon: Body, Time, and Agency 3. The Mind-Game Film 4. Time Travel Films: An Ethics of Redemption, Rescue, and Regret 5. The New Normal - Trauma as Successfully Failed Communication (NURSE BETTY 2000) 6. Saving Private Ryan 7. Philip K Dick, the Mind-Game film, and Retroactive Causality 8. Actions Have Consequences: Logics of the Mind-Game Film in David Lynch´s Los Angeles Trilogy 9. Zero Dark Thirty: Genre Hybridization as (Parapractic) Interference 10. Cinema and Games: Contingency as Our New Causality 11. Contingency, Causality, Complexity: Distributed Agency in the Mind-Game Film 12. The History of the Present as Paranoid Mind-Gamemehr

Autor

Thomas Elsaesser was Professor Emeritus at the University of Amsterdam, the Netherlands. Since 2013 until his passing in December 2019 he was Visiting Professor at Columbia University, USA, and from 2006 to 2012 he was Visiting Professor at Yale University, USA. Among his books as author are European Cinema and Continental Philosophy (2019), Film History as Media Archeology (2016), The Persistence of Hollywood (2012), Film Theory: An Introduction through the Senses (2010, 2015) co-authored with Malte Hagener, European Cinema: Face to Face with Hollywood (2005), Weimar Cinema and After (2000), Fassbinder's Germany: History, Identity, Subject (1996), and New German Cinema (1989).