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BuchGebunden
284 Seiten
Englisch
Phaidonerschienen am21.04.2014
The first monograph on this internationally famous potter and writer, this book brings to life the man behind The Hare with Amber Eyes. Stunning photography reveals a day in the life of de Waal and his studio and documents his major exhibitions and installations. Contributors include novelists Colm Toibin, Peter Carey and AS Byatt.mehr

Produkt

KlappentextThe first monograph on this internationally famous potter and writer, this book brings to life the man behind The Hare with Amber Eyes. Stunning photography reveals a day in the life of de Waal and his studio and documents his major exhibitions and installations. Contributors include novelists Colm Toibin, Peter Carey and AS Byatt.
ZusammenfassungThe first monograph on this internationally acclaimed artist and writer.
Details
ISBN/GTIN978-0-7148-6703-8
ProduktartBuch
EinbandartGebunden
Verlag
Erscheinungsjahr2014
Erscheinungsdatum21.04.2014
Seiten284 Seiten
SpracheEnglisch
Gewicht1308 g
Artikel-Nr.30122447
Rubriken

Autor

Edmund de Waal (b.1964) is one of the world's leading ceramic artists and a renowned historian of the medium. His work has been widely exhibited at galleries and museums in the UK and Europe, and he will present exhibitions in 2013 at the Gagosian Gallery in New York, the Fitzwilliam Museum in Cambridge, and the Rijksmuseum in Amsterdam. He has written widely on art and ceramics, including books on Bernard Leach and 20th-century ceramics, and The Hare with Amber Eyes (2010) won the Costa Biography Award, New Writer of the Year at the Galaxy Book Awards, and the Royal Society of Literature Ondaatje Prize. In 2011 he was awarded an OBE for services to art.

Emma Crichton-Miller, a journalist specializing in applied arts and crafts, contributes an in-depth biographical survey and critical analysis of de Waal and his work. She writes for the Financial Times, The Times and the Royal Academy Magazine, among other publications.

Also includes contributions by novelists Colm Toíbín, Peter Carey and AS Byatt, and critical essays by Guggenheim curator Alexandra Munroe and architect Deborah Saunt.