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Art As Politics in the Third Reich

TaschenbuchKartoniert, Paperback
464 Seiten
Englisch
University of North Carolina Presserschienen am22.02.1999Revised edition
The political elite of Nazi Germany perceived itself as a cultural elite as well. This work explores the elite's cultural aspirations by examining both the formulation of a national aesthetic policy and the content of the private art collections held by high-ranking Nazis. The author demonstrates that these leaders manipulated public policy and their own collecting patterns to articulate fundamental tenets of Nazi ideology. The work begins by tracing the evolution of aesthetic policy from the purges of museum staff and academics labelled as ""undesirable"" in 1933 to the confiscation of Jewish-owned artworks in the late 1930s and the organized plundering of art from occupied areas during the war. The author then reconstructs the collections of prominent Nazi officials - including Hitler, Goring, Goebbels, Himmler, Speer, and Ribbentrop - and argues that their private holdings defined their relationships to one another within the Nazi hierachy in addition to reflecting their racist and nationalist beliefs. According to the author, art collecting offered the political elite a way to achieve legitimacy and social standing, thereby providing a common cultural language for the leaders of the Third Reich.mehr

Produkt

KlappentextThe political elite of Nazi Germany perceived itself as a cultural elite as well. This work explores the elite's cultural aspirations by examining both the formulation of a national aesthetic policy and the content of the private art collections held by high-ranking Nazis. The author demonstrates that these leaders manipulated public policy and their own collecting patterns to articulate fundamental tenets of Nazi ideology. The work begins by tracing the evolution of aesthetic policy from the purges of museum staff and academics labelled as ""undesirable"" in 1933 to the confiscation of Jewish-owned artworks in the late 1930s and the organized plundering of art from occupied areas during the war. The author then reconstructs the collections of prominent Nazi officials - including Hitler, Goring, Goebbels, Himmler, Speer, and Ribbentrop - and argues that their private holdings defined their relationships to one another within the Nazi hierachy in addition to reflecting their racist and nationalist beliefs. According to the author, art collecting offered the political elite a way to achieve legitimacy and social standing, thereby providing a common cultural language for the leaders of the Third Reich.
Details
ISBN/GTIN978-0-8078-4809-8
ProduktartTaschenbuch
EinbandartKartoniert, Paperback
FormatTrade Paperback (USA)
Erscheinungsjahr1999
Erscheinungsdatum22.02.1999
AuflageRevised edition
Seiten464 Seiten
SpracheEnglisch
MasseBreite 157 mm, Höhe 235 mm, Dicke 35 mm
Gewicht748 g
Artikel-Nr.13289139