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Polymer Photogravure

A Step-by-Step Manual, Highlighting Artists and Their Creative Practice
TaschenbuchKartoniert, Paperback
298 Seiten
Englisch
Taylor & Francis Incerschienen am05.12.2018
Polymer Photogravure: A Step-by-Step Manual Highlighting Artists and Their Creative Practice is a three-part book on the non-toxic process of making ink-on-paper intaglio prints from continuous-tone photographs using water-etched photopolymer plates. Author Clay Harmon provides clear and easy to understand instructions that will enable anyone to successfully make a photogravure print.mehr
Verfügbare Formate
TaschenbuchKartoniert, Paperback
EUR70,00
E-BookPDFDRM AdobeE-Book
EUR74,49
E-BookEPUBDRM AdobeE-Book
EUR74,49

Produkt

KlappentextPolymer Photogravure: A Step-by-Step Manual Highlighting Artists and Their Creative Practice is a three-part book on the non-toxic process of making ink-on-paper intaglio prints from continuous-tone photographs using water-etched photopolymer plates. Author Clay Harmon provides clear and easy to understand instructions that will enable anyone to successfully make a photogravure print.
Details
ISBN/GTIN978-0-8153-6604-1
ProduktartTaschenbuch
EinbandartKartoniert, Paperback
Erscheinungsjahr2018
Erscheinungsdatum05.12.2018
Seiten298 Seiten
SpracheEnglisch
MasseBreite 202 mm, Höhe 249 mm, Dicke 15 mm
Gewicht924 g
Artikel-Nr.49064279
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Inhalt/Kritik

Inhaltsverzeichnis
PrefaceChapter 1 IntroductionSection One - The Polymer Photogravure StudioChapter 2 -The Physical Studio - Materials and EquipmentChapter 3 - Digital Studio - The Virtual WorkspaceSection Two - The Process of Polymer PhotogravureChapter 4 - Making a Photogravure PrintChapter 5 - Making a Polymer Photogravure PlateChapter 6 - Photogravure - Additional TechniquesChapter 7 - TroubleshootingChapter 8 - Printing Portfolios and EditionsSection Three - Current Practitioners of Polymer PhotogravureChapter 9 - Contemporary Polymer Photogravure ArtistsBibliography and Referencesmehr

Autor

Clay Harmon's photographic work combines contemporary subject matter with historic photographic techniques. His interest is in the push/pull between the beautiful and the ugly often found in the urban landscape. Harmon's work has shown nationally and internationally in over thirty shows and ten publications. He teaches workshops nationally in polymer photogravure and other historic photographic printing processes. To see his work, visit clayharmon.com.
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