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The Viennese Café and Fin-de-Siècle Culture

BuchGebunden
Englisch
Berghahn Bookserschienen am01.01.2013
This volume explores the nature and function of the coffee house in the social, cultural, and political world of fin-de-siecle Vienna. Just as the cafeserved as a creative meeting place within the city, so this volume initiates conversations between different disciplines focusing on Vienna 1900.mehr
Verfügbare Formate
BuchGebunden
EUR157,60
BuchKartoniert, Paperback
EUR42,10
E-BookEPUBDRM AdobeE-Book
EUR35,99

Produkt

KlappentextThis volume explores the nature and function of the coffee house in the social, cultural, and political world of fin-de-siecle Vienna. Just as the cafeserved as a creative meeting place within the city, so this volume initiates conversations between different disciplines focusing on Vienna 1900.
Details
ISBN/GTIN978-0-85745-764-6
ProduktartBuch
EinbandartGebunden
Erscheinungsjahr2013
Erscheinungsdatum01.01.2013
SpracheEnglisch
MasseBreite 157 mm, Höhe 235 mm, Dicke 19 mm
Gewicht531 g
Artikel-Nr.17496090
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Inhalt/Kritik

Inhaltsverzeichnis
List of IllustrationsPrefaceNotes on ContributorsIntroductionCharlotte AshbyChapter 1. The Cafés of Vienna: Space and SociabilityCharlotte AshbyChapter 2. Time and Space in the Café Griensteidl and the Café CentralGilbert CarrChapter 3.The Jew Belongs in the Coffeehouse´: Jews, Central Europe and ModernitySteven BellerChapter 4. Coffeehouse OrientalismTag GronbergChapter 5. Between The House of Study´ and the Kaffeehaus: The Central European Café as a Site for Hebrew and Yiddish ModernismShachar PinskerChapter 6. Michalik´s café in Kraków: Café and Caricature as Media of ModernityKatarzyna Murawska-MuthesiusChapter 7.  The Coffeehouse in Zagreb at the turn of the Nineteenth and Twentieth Centuries: Similarities and Differences with the Viennese CoffeehouseInes SaboticChapter 8. Adolf Loos´s Kärntner Bar: Reception, Reinvention, ReproductionMary CostelloChapter 9. Graphic and Interior Design in the Viennese coffeehouse around 1900: Experience and IdentityJeremy AynsleyChapter 10. The Cliché of the Viennese Café as an Extended Living-room: Formal Parallels and DifferencesRichard KurdiovskyChapter 11. Coffeehouses and Tea Parties: Conversational Spaces as a Stimulus to Creativity in Sigmund Freud´s Vienna and Virginia Woolf´s LondonEdward TimmsBibliographyIndexmehr
Kritik
"This volume is a truly excellent collection about a very important cultural institution - a first-rate addition to scholarship." * Marsha Rozenblit, University of Marylandmehr

Autor

Simon Shaw-Miller is Professor of the History of Art at the University of Bristol. He is an Honorary Associate of the Royal Academy of Music, London. His publications include: Visible Deeds of Music: Music and Art from Wagner to Cage (Yale University Press 2002), Samuel Palmer Revisited (co-edited, Ashgate 2010) and Eye hEar: The Visual in Music (Ashgate 2013). He won the Prix Ars Electronica Media.Art.Research Award in 2009.