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The Art Song in East Asia and Australia, 1900 to 1950

BuchGebunden
20 Seiten
Englisch
Taylor & Franciserschienen am31.03.2023
This book explores art song as an emblem of musical modernity in early twentieth century East Asia and Australia. It appraises the lyrical power of art song-a solo song set to a poem in the local language in Western art music style accompanied by piano-as a vehicle for creating a localized musical identity.mehr
Verfügbare Formate
BuchGebunden
EUR182,50
TaschenbuchKartoniert, Paperback
EUR51,00
E-BookEPUB0 - No protectionE-Book
EUR53,99
E-BookPDF0 - No protectionE-Book
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Produkt

KlappentextThis book explores art song as an emblem of musical modernity in early twentieth century East Asia and Australia. It appraises the lyrical power of art song-a solo song set to a poem in the local language in Western art music style accompanied by piano-as a vehicle for creating a localized musical identity.
Details
ISBN/GTIN978-1-032-32162-2
ProduktartBuch
EinbandartGebunden
FormatGenäht
Erscheinungsjahr2023
Erscheinungsdatum31.03.2023
Seiten20 Seiten
SpracheEnglisch
MasseBreite 152 mm, Höhe 229 mm, Dicke 19 mm
Gewicht608 g
Artikel-Nr.59721650

Inhalt/Kritik

Inhaltsverzeichnis
Chapter 1. Art song as lyrical modernity in colonial and postcolonial contexts: listening to each other´s songs JOYS H.Y. CHEUNG & ALISON TOKITAChapter 2. The rise of Japanese art song MOTOMI TSUGAMIChapter 3. Art song and musical/cultural identities in interwar JapanLUCIANA GALLIANOChapter 4. Implications of poetic form for Japanese art songsYUKO KUSAKABEChapter 5. Conflict and synthesis of modern and traditional Japan in Hashimoto Kunihiko´s art songs LASSE LEHTONENChapter 6. Nagai Ikuko and the "Movement for Singing in Japanese" MOTOMI TSUGAMIChapter 7. The birth and transformation of Korean art song KYUNGCHAN MINChapter 8. National identity and colonial modernity in gagok: Korean art songs of the Japanese Colonial Period MEEBAE LEEChapter 9. Metre and rhythm in Lee Sangkeun´s songs HERMANN GOTTSCHEWSKIChapter 10. Korean art song composers caught between Japan, South Korea and North Korea KYUNGBOON LEEChapter 11. A brief history of modern Chinese art song CHEN YONGChapter 12. Composition, commentary and collegiality in the translated modernity of early Chinese art song JOYS H.Y. CHEUNGChapter 13. Proved foundations with pentatonic inflections: "Longing for Home", the first art song of Huang Zi and Wei Hanzhang STEPHEN M. JONESChapter 14. "I should have my own personality": Identity negotiation in Tan Xiaolin´s art songs ARTURO IRISARRI IZQUIERDO & HON-LUN HELAN YANGChapter 15. "Taiwanese Art Songs" and "National Languages": Lu Chuan-sheng´s Art Songs of the 1940sDIAU-LONG SHENChapter 16. Competing voices in Colonial Taiwan: Art song as historical problem CHIEN-CHANG YANGChapter 17. Singing Chinese art song in Taiwan: the life journeys of two China-born vocalists YU-JEN HUANG & TZU-CHIA TSENGChapter 18. From singer to composer: the art songs of Koh Bunya / Jiang Wenye LIN-YU LIOUChapter 19. National identity and Australian art song 1901-1950ANNE-MARIE FORBESChapter 20. A transnational perspective on musical modernity: the songs of Linda Phillips and Chen Tianhe ALISON TOKITAmehr

Autor

Alison McQueen Tokita is Guest Professor, Kyoto City University of Arts, and Adjunct Researcher, Monash University, Australia.

Joys H. Y. Cheung is Assistant Professor at the Graduate Institute of Ethnomusicology, National Taiwan Normal University, Republic of China.
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