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Guarini's 'Il pastor fido' and the Madrigal

Voicing the Pastoral in Late Renaissance Italy
TaschenbuchKartoniert, Paperback
458 Seiten
Englisch
Taylor & Franciserschienen am19.01.2023
This book explores what happens when a lover´s lament is transplanted from the theatrical stage to the courtly chamber, from speech to song, and from a single speaking character to an ensemble of singers, shedding new light on early modern literary and musical culture.mehr
Verfügbare Formate
BuchGebunden
EUR182,50
TaschenbuchKartoniert, Paperback
EUR48,50
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Produkt

KlappentextThis book explores what happens when a lover´s lament is transplanted from the theatrical stage to the courtly chamber, from speech to song, and from a single speaking character to an ensemble of singers, shedding new light on early modern literary and musical culture.
Details
ISBN/GTIN978-1-032-42385-2
ProduktartTaschenbuch
EinbandartKartoniert, Paperback
Erscheinungsjahr2023
Erscheinungsdatum19.01.2023
Seiten458 Seiten
SpracheEnglisch
Gewicht693 g
Illustrationen98 SW-Abb., 98 SW-Zeichn., 18 Tabellen
Artikel-Nr.59521345
Rubriken
GenreKunst/Architektur

Inhalt/Kritik

Inhaltsverzeichnis
Introduction: Voice, Genre, and Perspective in the Italian MadrigalPastoral Personas in a Tragicomic Plot1. Reading the Madrigal: Mode, Structure, and the Analysis of Late-Renaissance MusicOn ModeModal Unity within Diversity: Commixtio TonorumAnalytical Approaches to Late-Renaissance Polyphony2. The Play and Its Early AudiencesGuarini´s Readings of the Early 1580sSigns of Stagings in the Mid-1580sMantuan Efforts of the Early 1590sThe First (Confirmed) ProductionsThe Mantuan Productions of 1598 and the Madrigals of GastoldiStagings in the Early Seventeenth Century3. From Poetic Monster to Raccolta di madrigali: The Pastor fido Debate, 1586-1602The First Wave of Debate: Denores and the two "Verrati," 1586-93The Second Wave of Debate, 1600-014. Marenzio, Guarini, and the Origins of the Pastor fido MadrigalMarenzio´s "O fido, o caro Aminta" (1595): An Introduction to Some Textual ConflictsMarenzio and His Patrons in RomeGuarini and the Lyric MadrigalMarenzio´s Guarini Settings, 1580-99Guarini´s Drafts and Salviati´s Lost ManuscriptSalviati´s Annotazioni and the Texts of Marenzio´s MadrigalsScipione Gonzaga and Marenzio´s Pastor fido Settings5. Beyond the Theater in Rome and Mantua: The Settings of Marenzio and WertMarenzio´s "O fido, o caro Aminta": The Integration of Text and MusicMarenzio´s and Wert´s Readings of "Cruda Amarilli" (1595)Three Settings from Act 36. "Ahi, lasso!": Monteverdi, Il pastor fido, and a New, Mantuan ControversyMonteverdi´s Early and Variant Readings, 1592-1603The Monteverdi-Artusi Debate: Musical and Extramusical Provocations7. Madrigalian Discourses in (and Beyond) Monteverdi´s Fifth BookModal Structure and the Temporal Worlds of Mirtillo and AmarilliInterpersonal and Intertextual Dialogue in "Ecco, Silvio, colei che ´n odio hai tanto"Inter-Madrigal Motives (and their Interpretative Consequences)Monteverdi and the Madrigal as Discourse8. The Settings of Pallavicino, Gastoldi, and Rossi, and the Afterglow of a Mantuan Pastoral PassionDilating Dissonances, Dynamic Structures, and Marenzian Ties in Pallavicino´s Sixth Book (1600)Beyond Balli: Concision, Contrast, and Characterization in Gastoldi´s "Pastor fido" SettingsSalamone Rossi: Marenzian Cues on a New, Mantuan StageThe Expectations of a "Pastor fido" Madrigal Reading and the Example of Artusi´s Failuremehr

Autor

Seth J. Coluzzi is an Assistant Professor of Music at Colgate University and a scholar of the music, poetry, and culture of late-Renaissance Italy. His work focuses on issues of analysis, mode, interpretation, and text-music relations in the Italian madrigal and has appeared in Journal of Musicology, Music and Letters, Music Theory Spectrum, Early Music, Studi musicali, and other journals and collections.
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