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A Companion to Digital Art

BuchGebunden
628 Seiten
Englisch
Wiley & Sonserschienen am29.04.20161. Auflage
This unrivalled new companion to the dynamic and fast-moving world of digital art gives readers an in-depth understanding of the form, covering its history and evolution, aesthetics, and politics, as well as its often turbulent relationships with established institutions.mehr
Verfügbare Formate
BuchGebunden
EUR211,50
BuchKartoniert, Paperback
EUR53,00
E-BookPDF1 - PDF WatermarkE-Book
EUR42,99
E-BookEPUBePub WasserzeichenE-Book
EUR42,99

Produkt

KlappentextThis unrivalled new companion to the dynamic and fast-moving world of digital art gives readers an in-depth understanding of the form, covering its history and evolution, aesthetics, and politics, as well as its often turbulent relationships with established institutions.
Details
ISBN/GTIN978-1-118-47520-1
ProduktartBuch
EinbandartGebunden
Erscheinungsjahr2016
Erscheinungsdatum29.04.2016
Auflage1. Auflage
Seiten628 Seiten
SpracheEnglisch
Gewicht1229 g
Artikel-Nr.36064126

Inhalt/Kritik

Inhaltsverzeichnis
List of Figures ii Notes on Contributors iii Acknowledgements iv INTRODUCTION ov From Digital to Post-Digital - Evolutions of an Art Form vChristiane Paul PART I: HISTORIES OF DIGITAL ART 1 The Complex and Multifarious Expression of Digital Art and its Impact on Archives and Humanities Oliver Grau 2 International Networks of Early Digital Arts Darko Fritz 3 Art in the Rear-View Mirror: The Media-Archaeological Tradition in Art Erkki Huhtamo 4 Proto-Media Art: Revisiting Japanese Postwar Avant-garde Art Machiko Kusahara 5 Generative Art Theory Philip Galanter 6 Digital Art at the Interface of Technology and Feminism Jennifer Way 07 The Hauntology of the Digital Image Charlie Gere 8 Participatory Art: Histories and Experiences of Display Rudolf Frieling PART II: AESTHETICS OF DIGITAL ART 9 Small Abstract Aesthetics Max Bense 10 Aesthetics of the Digital Sean Cubitt 11 Computational AestheticsM. Beatrice Fazi and Matthew Fuller 12 Participatory Platforms and the Emergence of Art Olga Goriunova 13 Interactive Art: Interventions in/to Process Nathaniel Stern 14 The Cultural Work of Public Interactives Anne Balsamo PART III: NETWORK CULTURES: THE POLITICS OF DIGITAL ART 15 Shockwaves in the New World Order of Information and Communication Armin Medosch 16 Critical Intelligence in Art and Digital Media Konrad Becker 17 The Silver Age of Social Media: Nettime.org and the Avant-Garde of the 90s McKenzie Wark 18 Art in the Corporatized Sphere: The Impact of Commercial Social Media on Online Artistic Practice Kyle Chayka 19 Big Data and Artistic Visualization Lev Manovich 20 Critical Play: The Productive Paradox Mary Flanagan PART IV: DIGITAL ART AND THE INSTITUTION 21 Contemporary Art and New Media: Digital Divide or Hybrid Discourse? Edward A. Shanken 22 One of Us! On the Coupling of New Media Art and Art Institutions Richard Rinehart 23 The Digital Arts In and Out of the Institution - Where to Now? Sarah Cook 24 Digital Conservation - Tools, Methods, Strategies Ben Fino-Radin 25 Trusting Amateurs with Our Future Jon Ippolito 26 Enabling the Future, or How to Survive FOREVER Annet Dekker 27 Exhibition Histories and Futures: The Importance of Participation and Audiences Beryl Grahammehr

Autor

Christiane Paul is Associate Professor in the School of Media Studies at the New School, New York, USA, and also Adjunct Curator of New Media Arts at the Whitney Museum of American Art. Prof. Paul is a noted curator who oversees the Whitney's artport website and has for more than a decade conceived and administered the museum's new media exhibitions, including Data Dynamics (2001), Profiling (2007), and Cory Arcangel: Pro Tools (2011). Other curatorial work includes The Public Private (Kellen Gallery, The New School, 2013); Biennale Quadrilaterale (Rijeka, Croatia, 2009-10); Feedforward - The Angel of History (LABoral, Spain, 2009); and INDAF Digital Art Festival (Incheon, Korea, 2009). She is the author of Digital Art (2003), New Media in the White Cube and Beyond (2008), and co-editor with Margot Lovejoy and Victoria Vesna of Context Providers - Conditions of Meaning in Media Arts (2011).