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Popular Music in Eastern Europe

Breaking the Cold War Paradigm
BuchGebunden
311 Seiten
Englisch
Springer Palgrave Macmillanerschienen am04.01.20171st ed. 2016
By conducting original research, including interviews and examining archival material, the authors take issue with certain assumptions prevailing in the existing studies on popular music in Eastern Europe, namely that it was largely based on imitation of western music and that this music had a distinctly anti-communist flavour.mehr
Verfügbare Formate
BuchKartoniert, Paperback
EUR139,09
BuchGebunden
EUR139,09
E-BookPDF1 - PDF WatermarkE-Book
EUR128,39

Produkt

KlappentextBy conducting original research, including interviews and examining archival material, the authors take issue with certain assumptions prevailing in the existing studies on popular music in Eastern Europe, namely that it was largely based on imitation of western music and that this music had a distinctly anti-communist flavour.
Zusammenfassung
Considers different aspects of popular music, such as cultural policy, censorship, journalism and stars

Covers most Eastern European countries

Written by specialists with inside knowledge of Eastern European music
Details
ISBN/GTIN978-1-137-59272-9
ProduktartBuch
EinbandartGebunden
Erscheinungsjahr2017
Erscheinungsdatum04.01.2017
Auflage1st ed. 2016
ReihePop Music, Culture and Identity
Seiten311 Seiten
SpracheEnglisch
Gewicht549 g
IllustrationenXI, 311 p. 16 illus.
Artikel-Nr.39122688

Inhalt/Kritik

Inhaltsverzeichnis
Introduction: Popular Music in Eastern Europe: Breaking the Cold War Paradigm´ - Ewa Mazierska.- Part 1: State Policies and its Interpretation by Grassroots.- 1. Propagated, Permitted or Prohibited? State Strategies to Control Musical Entertainment in the First Two Decades of Socialist Hungary - Ádám Ignácz.- 2. Pop-Rock and Propaganda during the CeauÈescu Regime in Communist Romania - Doru Pop.- 3. Estonian Invasion as Western Ersatz-pop - Aimar Ventsel.- 4. The Eagle Rocks: Isolation and Cosmopolitanism in Albania´s Pop-Rock Scene - Bruce Williams.- Part 2: The Function of Gatekeepers´.- 5. Censorship, Dissent and the Metaphorical Language of GDR Rock - David Robb.- 6. Folk Music as a Folk Enemy: Music Censorship in Socialist Yugoslavia - Ana Hofman.- 7. 'The Second Golden Age': Popular Music Journalism during the Late Socialist Era of Hungary - Zsófia Réti.- 8. Youth under Construction: The Generational Shifts in Popular Music Journalism in Poland of the 1980s - Klaudia Rachubinska and Xawery Stanczyk.- 9. The Birth of Socialist Disc Jockey: Between Music Guru, DIY Ethos and Market Socialism - Marko Zubak.- Part 3: Eastern European Stars.- 10. Karel Gott: The Ultimate Star of Czechoslovak Pop Music - Petr A. Bílek.- 11. CzesÅaw Niemen: Between Enigma and Political Pragmatism - Ewa Mazierska.- 12. Omega: Red Star from Hungary - Bence Csatári and Béla Szilárd Jávorszky.- 13. Perverse Imperialism: Republika´s Phenomenon in the 1980s - Piotr Fortuna.mehr

Schlagworte