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Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War

BuchGebunden
314 Seiten
Englisch
Routledgeerschienen am01.10.2019
Exploring one of the most integral elements of the cinematic experience-music-the essays in this volume consider the numerous ways in which post-war European cinema dealt with memory, trauma and nostalgia, showing how the music of these films shaped the representation of the past.mehr
Verfügbare Formate
BuchGebunden
EUR207,50
TaschenbuchKartoniert, Paperback
EUR57,50
E-BookEPUB0 - No protectionE-Book
EUR53,99
E-BookPDF0 - No protectionE-Book
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Produkt

KlappentextExploring one of the most integral elements of the cinematic experience-music-the essays in this volume consider the numerous ways in which post-war European cinema dealt with memory, trauma and nostalgia, showing how the music of these films shaped the representation of the past.
Details
ISBN/GTIN978-1-138-23801-5
ProduktartBuch
EinbandartGebunden
FormatGenäht
Verlag
Erscheinungsjahr2019
Erscheinungsdatum01.10.2019
Seiten314 Seiten
SpracheEnglisch
MasseBreite 152 mm, Höhe 229 mm, Dicke 19 mm
Gewicht603 g
Artikel-Nr.52422918

Inhalt/Kritik

Inhaltsverzeichnis
Part I: Collective Memory and (Trans-)Nation / Chapter 1: A Fanfare Floating Beneath Sea Level: Music as a Sonic Lieu de Mémoire of Dutch Cultural Identity on Film (Emile Wennekes) / Chapter 2: Which People´s Music? Witnessing the Popular in the Musicscape of Giuseppe De Santis´s Riso amaro (1949, Bitter Rice (Maurizio Corbella) / Chapter 3: Phantoms of Italian Opera-Cultural Memory in Italian and (West) German Films (Roger Hillman) / Chapter 4: A Bridge Too Far? Music in the British War Film, 1945-80 (Mervyn Cooke) / Part II: Trauma and Survival / Chapter 5: Hidden in Plain View: The Music of Holocaust Survival in Poland´s First Post-war Feature Film (Barbara Milewski) / Chapter 6: Empathy, Ethics, and Film Music: Alfred Schnittke and Larisa Shepit´ko´s Voskhozhdenie (1977, The Ascent) (Maria Cizmic) / Chapter 7: Fugue States: Music, Memory, and Trauma in Alain Resnais´s Early 1960s Films (Michael Baumgartner and Orlene Denice McMahon) / Chapter 8: Re-Sounding Trauma: Sonic Flashbacks in the Films of Jan Troell (Alexis Luko) / Part III: Nostalgia, and the Impossible Returns Home / Chapter 9: Decomposing Heroism: Rolf Wilhelm´s Music for Radetzkymarsch (1965) (Janina Müller and Tobias Plebuch) / Chapter 10: The Music of Sacrificial Acts: Displacement, Redemption, Beethoven and Verdi in Andrei Tarkovsky´s Nostalghia (1983) (Tobias Pontara) / Chapter 11: "Chopin Meant Everything to Us Then": Chopin Nostalgia in Polish Cinema, 1944-91 (Ewelina Boczkowska) / Chapter 12: Returning Home: Critical Nostalgia and French Cinematic Illusion in the Post-war Musical Films of René Clair and Jean Renoir (Hannah Lewis)mehr

Autor

Michael Baumgartner is Associate Professor of Musicology at Cleveland State University.

Ewelina Boczkowska is Associate Professor of Musicology at Youngstown State University.