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Understanding Greek Tragic Theatre

TaschenbuchKartoniert, Paperback
186 Seiten
Englisch
Taylor & Franciserschienen am13.07.20162. Aufl.
Understanding Greek Tragic Theatre, a revised edition of Greek Tragic Theatre (1992), is intended for those interested in how Greek tragedy works. By analysing the way the plays were performed in fifth-century Athens, Rush Rehm encourages classicists, actors, and directors to approach Greek tragedy by considering its original context. Emphasizing the political nature of tragedy as a theatre of, by, and for the polis, Rehm characterizes Athens as a performance culture, one in which the theatre stood alongside other public forums as a place to confront matters of import and moment. In treating the various social, religious and practical aspects of tragic production, he shows how these elements promoted a vision of the theatre as integral to the life of the city - a theatre whose focus was on the audience.The second half of the book examines four exemplary plays, Aeschylus´ Oresteia trilogy, Sophocles´ Oedipus Tyrannus, and Euripides´ Suppliant Women and Ion. Without ignoring the scholarly tradition, Rehm focuses on how each tragedy unfolds in performance, generating different relationships between the characters (and chorus) on stage and the audience in the theatre.mehr
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BuchGebunden
EUR182,50
TaschenbuchKartoniert, Paperback
EUR56,00
E-BookEPUBDRM AdobeE-Book
EUR53,99
E-BookPDFDRM AdobeE-Book
EUR53,99

Produkt

KlappentextUnderstanding Greek Tragic Theatre, a revised edition of Greek Tragic Theatre (1992), is intended for those interested in how Greek tragedy works. By analysing the way the plays were performed in fifth-century Athens, Rush Rehm encourages classicists, actors, and directors to approach Greek tragedy by considering its original context. Emphasizing the political nature of tragedy as a theatre of, by, and for the polis, Rehm characterizes Athens as a performance culture, one in which the theatre stood alongside other public forums as a place to confront matters of import and moment. In treating the various social, religious and practical aspects of tragic production, he shows how these elements promoted a vision of the theatre as integral to the life of the city - a theatre whose focus was on the audience.The second half of the book examines four exemplary plays, Aeschylus´ Oresteia trilogy, Sophocles´ Oedipus Tyrannus, and Euripides´ Suppliant Women and Ion. Without ignoring the scholarly tradition, Rehm focuses on how each tragedy unfolds in performance, generating different relationships between the characters (and chorus) on stage and the audience in the theatre.
ZusammenfassungUnderstanding Greek Tragic Theatre is intended for those interested in how Greek tragedy works. Emphasizing the political nature of tragedy as a theatre of, by, and for the polis, Rehm characterizes Athens as a performance culture, one in which the theatre stood alongside other public forums as a place to confront matters of import and moment. In treating the various social, religious and practical aspects of tragic production, he shows how these elements promoted a vision of the theatre as integral to the life of the city - a theatre whose focus was on the audience.
Details
ISBN/GTIN978-1-138-81262-8
ProduktartTaschenbuch
EinbandartKartoniert, Paperback
Erscheinungsjahr2016
Erscheinungsdatum13.07.2016
Auflage2. Aufl.
Seiten186 Seiten
SpracheEnglisch
Gewicht315 g
Artikel-Nr.38064163

Inhalt/Kritik

Inhaltsverzeichnis
CONTENTSPreface AcknowledgementsA note on translations and editions A list of plates Part I The social and theatrical background1 The Performance Culture of Athens 2 The Festival Context 3 Production as Participation 4 The Theatre Of Dionysus 5 Conventions of Production Part II Exemplary Plays6 Aeschylus´ Oresteia Trilogy 7 Sophocles´ Oedipus Tyrannus 8 Euripides´ Suppliant Women 9 Euripides´ Ion Select bibliography Indexmehr
Kritik
"As a classicist and theater director, Rehm (Stanford) is well suited to offer an insightful analysis of Greek tragedy that emphasizes aspects of performance. In this second edition of Greek Tragic Theatre (CH, Mar'93, 30-3724), the author offers limited changes: though the notes have been thoroughly updated, the sections and chapter titles are identical in both editions."

- S. E. Goins, McNeese State University
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