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The Emergence of Pre-Cinema

Print Culture and the Optical Toy of the Literary Imagination - Previously published in hardcover
BuchKartoniert, Paperback
229 Seiten
Englisch
Springer Palgrave Macmillanerschienen am09.12.2018Softcover reprint of the original 1st ed. 2016
The book investigates the dispersed emergence of the new visual regime associated with nineteenth-century pre-cinematic spectacles in the literary imagination of the previous centuries.mehr
Verfügbare Formate
BuchGebunden
EUR74,89
BuchKartoniert, Paperback
EUR53,49
E-BookPDF1 - PDF WatermarkE-Book
EUR53,49

Produkt

KlappentextThe book investigates the dispersed emergence of the new visual regime associated with nineteenth-century pre-cinematic spectacles in the literary imagination of the previous centuries.
Details
ISBN/GTIN978-1-349-95877-1
ProduktartBuch
EinbandartKartoniert, Paperback
Erscheinungsjahr2018
Erscheinungsdatum09.12.2018
AuflageSoftcover reprint of the original 1st ed. 2016
Seiten229 Seiten
SpracheEnglisch
Gewicht318 g
IllustrationenIX, 229 p. 16 illus., 12 illus. in color.
Artikel-Nr.46117139

Inhalt/Kritik

Inhaltsverzeichnis
Chapter 1 Introduction: The Emergence of Precinema.- Chapter 2 From Analogia Entis to the Threshold of Self-Reflexivity in the Poetry of Dante, Donne and Shakespeare.- Chapter 3 The Modern(ist) Reader: Friedrich Schlegel´s Fragments, the Emergence of Modern Philology and the Montage Effect of Industrial Modernity.- Chapter 4 A Map to the Panorama: the Self-reflexive Construction of Sight and the Flickering Shadows of the Phantasmagoria Effect in Ann Radcliffe´s Mysteries of Udolpho.- Chapter 5 Visions of the City of London: Mechanical Eye and Poetic Transcendence in Wordsworth´s Prelude-Book 7.- Notes.- Bibliography.mehr
Kritik
"Gabriele's book is an articulate, erudite, and readable contribution to Romantic-era scholarship at the intersection of literary and visual studies in at least two obvious ways: he persuasively demonstrates the long history of the visual in Western Culture, undermining the myth of Romantic rupture, and, having done so-through careful reading of three essential authors of the 'self-re exive turn' from the discourse-network of 1800-contributes greatly to our understanding of how this splitting of signifier from referent emerges with new forms of seeing." (William S. Davis, European Romantic Review, Vol. 30 (1), 2019)mehr

Autor

Alberto Gabriele is the author of Reading Popular Culture in Victorian Print: Belgravia and Sensationalism and the forthcoming Sensationalism and the Genealogy of Modernity: A Global Nineteenth-Century Perspective. He is working on a project on the global circulation of print culture in the 1860s and has been, most recently, a Macgeorge fellow at the University of Melbourne, Australia.