A Cultural History of Comedy in the Age of Empire

von

Kaiser, MatthewHrsg.Stott, Andrew McConnellHrsg.Weitz, EricHrsg.

TaschenbuchKartoniert, Paperback

272 Seiten

Englisch

Bloomsbury Academicerschienen am04.04.2024

Drawing together contributions from scholars in a range of fields within 19th- and 20th-century cultural, literary, and theater studies, this volume provides a thorough and varied overview of the many forms comedy took in the 19th century. Given the earth-shattering cultural changes and political events that mark the decades between 1800 and 1920-shifting borders, socioeconomic upheaval, scientific and technological innovation, the rise of consumerism and mass culture, unprecedented overseas expansion by European and American imperial powers-it is no wonder that people in the Age of Empire turned to comedy in order to make sense of the contradictions that structure modern identity and navigate the sociocultural fault lines within modern life. Comical, humorous, and satirical cultural artifacts from the period capture the anxieties and aspirations, the petty resentments and lofty ideals, of a world buffeted by change. This volume explores the aesthetic, political, and ethical dimensions of comedy in the context of blackface minstrelsy, nonsense poetry, music hall and pantomime, comic almanacs and joke books, journalism, silent film, popular novels, and hygiene magazines, among other phenomena. It also provides a detailed account of contentious debates among social Darwinists, psychoanalysts, and political philosophers about the meaning and significance of comedy and laughter to human life. Each chapter takes a different theme as its focus: form, theory, praxis, identity, the body, politics and power, laughter, and ethics. These eight divergent approaches to comedy in the Age of Empire add up to an extensive, synoptic coverage of the subject.mehr

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KlappentextDrawing together contributions from scholars in a range of fields within 19th- and 20th-century cultural, literary, and theater studies, this volume provides a thorough and varied overview of the many forms comedy took in the 19th century. Given the earth-shattering cultural changes and political events that mark the decades between 1800 and 1920-shifting borders, socioeconomic upheaval, scientific and technological innovation, the rise of consumerism and mass culture, unprecedented overseas expansion by European and American imperial powers-it is no wonder that people in the Age of Empire turned to comedy in order to make sense of the contradictions that structure modern identity and navigate the sociocultural fault lines within modern life. Comical, humorous, and satirical cultural artifacts from the period capture the anxieties and aspirations, the petty resentments and lofty ideals, of a world buffeted by change. This volume explores the aesthetic, political, and ethical dimensions of comedy in the context of blackface minstrelsy, nonsense poetry, music hall and pantomime, comic almanacs and joke books, journalism, silent film, popular novels, and hygiene magazines, among other phenomena. It also provides a detailed account of contentious debates among social Darwinists, psychoanalysts, and political philosophers about the meaning and significance of comedy and laughter to human life. Each chapter takes a different theme as its focus: form, theory, praxis, identity, the body, politics and power, laughter, and ethics. These eight divergent approaches to comedy in the Age of Empire add up to an extensive, synoptic coverage of the subject.

Details

ISBN/GTIN978-1-350-44070-8

ProduktartTaschenbuch

EinbandartKartoniert, Paperback

FormatTrade Paperback (USA)

Verlag

Bloomsbury Academic

Erscheinungsjahr2024

Erscheinungsdatum04.04.2024

Seiten272 Seiten

SpracheEnglisch

MasseBreite 169 mm, Höhe 244 mm, Dicke 25 mm

Gewicht454 g

Artikel-Nr.60609189

Rubriken

GenreGeschichte/Politik

Inhalt/Kritik

Inhaltsverzeichnis

List of Illustrations Notes on Contributors Series Preface Introduction: Comic Frames in the Age of Empire, Matthew Kaiser (University of California, Merced, USA) 1. Form: An Empire of Jokes in the Age of American Expansion, Todd Nathan Thompson (Indiana University of Pennsylvania, USA) 2. Theory: Deadpan and Comedy Theory, Sarah Balkin (University of Melbourne, Australia) 3. Praxis: A Comedy Revolution, Milena Kozic (Independent scholar, Serbia) 4. Identity: Popular Performance from Peoria to Paris, Will Visconti (University of Sydney, Australia) 5. The Body: From Grimaldi to Chaplin, Sara Lodge (University of St Andrews, UK) 6. Politics and Power: Nineteenth-Century American Humor, Gregg Camfield (University of California, Merced, USA) 7. Laughter: The Ugly History, Matthew Kaiser (University of California, Merced, USA) 8. Ethics: Dickensian Satire and Mealtime Shame, Rob Jacklosky (College of Mount Saint Vincent, USA) and Matthew Kaiser (University of California, Merced, USA) Notes References Indexmehr