Hugendubel.info - Die B2B Online-Buchhandlung 

Merkliste
Die Merkliste ist leer.
Bitte warten - die Druckansicht der Seite wird vorbereitet.
Der Druckdialog öffnet sich, sobald die Seite vollständig geladen wurde.
Sollte die Druckvorschau unvollständig sein, bitte schliessen und "Erneut drucken" wählen.

A Companion to François Truffaut

BuchGebunden
640 Seiten
Englisch
Wiley & Sonserschienen am05.04.20131. Auflage
Although the New Wave, one of the most influential aesthetic revolutions in the history of cinema, might not have existed without him, Francois Truffaut has largely been ignored by American film scholars since his death 25 years ago.mehr
Verfügbare Formate
BuchGebunden
EUR232,50
E-BookPDF2 - DRM Adobe / Adobe Ebook ReaderE-Book
EUR155,99
E-BookEPUB2 - DRM Adobe / EPUBE-Book
EUR155,99

Produkt

KlappentextAlthough the New Wave, one of the most influential aesthetic revolutions in the history of cinema, might not have existed without him, Francois Truffaut has largely been ignored by American film scholars since his death 25 years ago.
ZusammenfassungThe 34 essays of this collection by leading internationalscholars reassess Truffaut s impact on cinema as they locate theunique quality of his thematic obsessions and his remarkablenarrative techniques. Almost 30 years after his death, we arepresented with strikingly original perspectives on his background,influences, and importance.
Details
ISBN/GTIN978-1-4051-9847-9
ProduktartBuch
EinbandartGebunden
Erscheinungsjahr2013
Erscheinungsdatum05.04.2013
Auflage1. Auflage
Seiten640 Seiten
SpracheEnglisch
Artikel-Nr.24123100
Rubriken
GenreKunst/Architektur

Inhalt/Kritik

Inhaltsverzeichnis
Acknowledgments viii Notes on Contributors ix Preface xv Filmography xxiii Part I La Planète Truffaut 1 1. Interview with Arnaud Desplechin, Part I: Truffaut and His Position 3 Anne Gillain and Dudley Andrew 2. Truffaut and His Doubles 23 Martin Lefebvre 3. Aesthetic Affinities: François Truffaut, Patrick Modiano, Douglas Sirk 71 Anne Gillain 4. Interview with Arnaud Desplechin, Part II: Truffaut and His Methods 105 Anne Gillain and Dudley Andrew Part II Style and Sensibility 125 5. Flashes of Happiness 127 Alain Bergala 6. Truffaut and the Photographic: Cinema, Fetishism, Death 137 Junji Hori 7. The Impasse of Intimacy: Romance and Tragedy in Truffaut´s Cinema 153 John Orr 8. A Fine Madness: Digressions on Pathologies in Truffaut´s Films 173 Francis Vanoye 9. The Ecstatic Pan 184 Phil Powrie 10. The Untimely Moment and the Correct Distance 205 Adrian Martin Part III The Making of a Filmmaker 219 11. Every Teacher Needs a Truant: Bazin and L´Enfant sauvage 221 Dudley Andrew 12. Certain Tendencies of Truffaut´s Film Criticism 242 Richard Neupert 13. Truffaut-Hitchcock 265 Jonathan Everett Haynes 14. The Paradox of Familiarity : Truffaut, Heir of Renoir 283 Ludovic Cortade 15. Cain and Abel: Godard and Truffaut 300 Michel Marie 16. Friction, Failure, and Fire: Truffaut as Adaptive Auteur 317 Timothy Corrigan Part IV Truffaut and His Time 333 17. Growing Up with the French New Wave 335 James Tweedie 18. Bad Objects: Truffaut´s Radicalism 356 Sam Di Iorio 19. Between Renoir and Hitchcock: The Paradox of Truffaut´s Women 375 Ginette Vincendeau 20. Truffaut in the Mirror of Japan 388 Kan Nozaki Part V Films 401 21. Directing Children: The Double Meaning of Self-Consciousness 403 Angela Dalle Vacche 22. Jules et Jim ... et Walter Benjamin 420 Dudley Andrew 23. Digging Up the Past: Jules et Jim 434 Elizabeth Ezra 24. The Elevator and the Telephone: On Urgency in La Peau douce 448 Michel Chion 25. La Peau douce: A Psychogeography of Silky Cinephilia 454 Tom Conley 26. La Peau douce: François Truffaut´s Passionate Object 469 Hilary Radner 27. An Unsettling Passage: From Les Deux Anglaises et le continent to La Chambre verte 489 Carlos Losilla 28. The Structural Role of Intervals in L´Argent de poche 507 Alain Bergala 29. To Die or to Love: Modern Don Juans in Truffaut and Oliveira 517 Luiza Jatobá 30. Film as Literature: or the Truffaldian Malaise (L´Homme qui aimait les femmes) 530 Lúcia Nagib 31. The Elegist: François Truffaut inside La Chambre verte 546 Philip Watts 32. La Chambre verte and the Beating Heart of Truffaut´s Oeuvre 561 Françoise Zamour 33. Le Dernier Métro: An Underground Golden Coach 571 Jean-Michel Frodon 34. Disillusionment and Magic in La Nuit américaine and Le Dernier Métro 584 Marc Vernet Index 594mehr
Kritik
"A superb compendium of 34 critical essays on the late Frenchfilm director ... Truffaut s deeply human and penetrating filmscome alive for the reader. A splendid companion offering freshinsight and thoughtful analysis on every page. SummingUp : Highly recommended. Lower-level undergraduatesand above." ( Choice , 1 September 2013)mehr

Autor

Dudley Andrew is the R. Selden Rose Professor of Film and Comparative Literature at Yale. He is the author or editor of nine books, including The Major Film Theories, Popular Front Paris and the Poetics of Culture (2005), What Cinema Is! (2010), and Opening Bazin (2011), which won the SCMS Best Anthology Award for 2011.

Anne Gillain is a Professor Emeritus at Wellesley College. She is known for her work on French cinema, particularly Francois Truffaut, in books that include Le Cinéma selon François Truffaut (1988), Les 400 Coups (1991) and François Truffaut: The Lost Secret (2013).
Weitere Artikel von
Herausgegeben:Andrew, Dudley