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The Theatre of David Henry Hwang

TaschenbuchKartoniert, Paperback
224 Seiten
Englisch
Bloomsbury Academicerschienen am17.12.2015
Since the premiere of his play FOB in 1979, the Chinese American playwright David Henry Hwang has made a significant impact in the U. S. and beyond. The Theatre of David Henry Hwang provides an in-depth study of his plays and other works in theatre. Beginning with his "Trilogy of Chinese America", Esther Kim Lee traces all major phases of his playwriting career. Utilizing historical and dramaturgical analysis, she argues that Hwang has developed a unique style of meta-theatricality and irony in writing plays that are both politically charged and commercially viable.The book also features three essays written by scholars of Asian American theatre and a comprehensive list of primary and secondary sources on his oeuvre. This comprehensive study of Hwang's work follows his career both chronologically and thematically. The first chapter analyzes Hwang's early plays, "Trilogy of Chinese America," in which he explores issues of identity and cultural assimilation particular to Chinese Americans. Chapter two looks at four plays characterised as "Beyond Chinese America," which examines Hwang´s less known plays. Chapter three focuses on M. Butterfly, which received the Tony Award for Best Play in 1988. In chapter four, Lee explores Hwang´s development as a playwright during the decade of the 1990s with a focus on identity politics and multiculturalism. Chapter five examines Hwang´s playwriting style in depth with a discussion of Hwang's more recent plays such as Yellow Face and Chinglish. The sixth chapter features three essays written by leading scholars in Asian American theatre: Josephine Lee on Flower Drum Song, Dan Bacalzo on Golden Child, and Daphne Lei on Chinglish. The final section provides a comprehensive compilation of sources: a chronology, a bibliography of Hwang's works, reviews and critical sources.mehr
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Produkt

KlappentextSince the premiere of his play FOB in 1979, the Chinese American playwright David Henry Hwang has made a significant impact in the U. S. and beyond. The Theatre of David Henry Hwang provides an in-depth study of his plays and other works in theatre. Beginning with his "Trilogy of Chinese America", Esther Kim Lee traces all major phases of his playwriting career. Utilizing historical and dramaturgical analysis, she argues that Hwang has developed a unique style of meta-theatricality and irony in writing plays that are both politically charged and commercially viable.The book also features three essays written by scholars of Asian American theatre and a comprehensive list of primary and secondary sources on his oeuvre. This comprehensive study of Hwang's work follows his career both chronologically and thematically. The first chapter analyzes Hwang's early plays, "Trilogy of Chinese America," in which he explores issues of identity and cultural assimilation particular to Chinese Americans. Chapter two looks at four plays characterised as "Beyond Chinese America," which examines Hwang´s less known plays. Chapter three focuses on M. Butterfly, which received the Tony Award for Best Play in 1988. In chapter four, Lee explores Hwang´s development as a playwright during the decade of the 1990s with a focus on identity politics and multiculturalism. Chapter five examines Hwang´s playwriting style in depth with a discussion of Hwang's more recent plays such as Yellow Face and Chinglish. The sixth chapter features three essays written by leading scholars in Asian American theatre: Josephine Lee on Flower Drum Song, Dan Bacalzo on Golden Child, and Daphne Lei on Chinglish. The final section provides a comprehensive compilation of sources: a chronology, a bibliography of Hwang's works, reviews and critical sources.
Details
ISBN/GTIN978-1-4081-8585-8
ProduktartTaschenbuch
EinbandartKartoniert, Paperback
FormatTrade Paperback (USA)
Erscheinungsjahr2015
Erscheinungsdatum17.12.2015
Seiten224 Seiten
SpracheEnglisch
MasseBreite 137 mm, Höhe 213 mm, Dicke 15 mm
Gewicht318 g
Artikel-Nr.34145436

Inhalt/Kritik

Inhaltsverzeichnis
Acknowledgements Introduction 1 The Trilogy of Chinese America: Magic Realism and the Californian Cool FOB The Dance and the Railroad Family Devotions 2 Beyond Chinese America: Love, Death and Resurrection The House of Sleeping BeautiesThe Sound of a VoiceAs the Crow Flies Rich Relations 3 M. Butterfly The Story and Style of M. Butterfly The Production of M. Butterfly Criticisms and Interpretations of M. ButterflyThe Legacy of M. Butterfly 4 Identity Politics and Multiculturalism in the 1990s BondageFace Value Trying to Find Chinatown Golden Child 5 The Irony and Rhetoric of the Global Millennium Yellow Face Chinglish Kung Fu 6 Other Critical Perspectives Something Beyond and Above´: David Henry Hwang´s Revision of Flower Drum Song Josephine Lee David Henry Hwang´s Golden Opportunities Dan Bacalzo Butterfly and Locust: Chinglish and Asian American Theatre in the Transnational Context Daphne Leimehr

Autor

Esther Kim Lee is Professor in Theater Studies and International Comparative Studies at Duke University, USA. She specializes in theatre history and dramatic criticism, and is the author of A History of Asian American Theatre (2006), which received the 2007 Award for Outstanding Book given by Association for Theatre in Higher Education, and The Theatre of David Henry Hwang (Bloomsbury Methuen Drama, 2015). She is the editor of Seven Contemporary Plays from the Korean Diaspora in the Americas (2012). From 2013 to 2014, she was the Chief Editor of Theatre Survey, the flagship journal of the American Society for Theatre Research (ASTR), and starting in 2016, she began her position as ASTR's Vice President for Publications.