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The Theatre of Naturalism

Disappearing Act
BuchGebunden
139 Seiten
Englisch
Peter Langerschienen am22.11.2010
Establishes the incipiently revolutionary context more or less foregrounded or in the background of works by Zola, Strindberg, Ibsen, Hauptmann, Synge, Shaw, and Tolstoy, focused especially on issues of class struggle and class war, as well as the prospects and possibilities of challenging the hegemony of the ruling orders.mehr

Produkt

KlappentextEstablishes the incipiently revolutionary context more or less foregrounded or in the background of works by Zola, Strindberg, Ibsen, Hauptmann, Synge, Shaw, and Tolstoy, focused especially on issues of class struggle and class war, as well as the prospects and possibilities of challenging the hegemony of the ruling orders.
Zusatztext«Anyone interested in modern European naturalism and its legacy will want to read ';The Theatre of Naturalism'. It raises a number of important questions and challenges us to reconsider the contributions of this often undervalued movement.» (Daniel Gerould, Lucille Lortel Distinguished Professor of Theatre and Comparative Literature, Graduate Center, City University of New York)
Details
ISBN/GTIN978-1-4331-1297-3
ProduktartBuch
EinbandartGebunden
Erscheinungsjahr2010
Erscheinungsdatum22.11.2010
ReiheCurrents in Comparative Romance Languages and Literatures
Reihen-Nr.185
Seiten139 Seiten
SpracheEnglisch
Gewicht330 g
Artikel-Nr.16498252

Schlagworte

Autor

Philip Beitchman received his Ph.D. in comparative literature from The City University of New York and teaches world literature at Medgar Evers College, The City University of New York. He is the author of I Am a Process with No Subject (1988); Alchemy of the Word: Cabala of the Renaissance (1998); and The View from Nowhere: Essays in Literature, Mysticism and Philosophy (2001). His many translations from the French include works by Jean Baudrillard (Simulations, Fatal Strategies) and Paul Virilio (Aesthetics of Disappearance).