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The Physics of Music and Color

BuchGebunden
540 Seiten
Englisch
Springererschienen am22.09.2011
The Physics of Music and Color deals with two subjects, music and color - sound and light in the physically objective sense - in a single volume. The basic underlying physical principles of the two subjects overlap greatly: both music and color are manifestations of wave phenomena, and commonalities exist as to the production, transmission, and detection of sound and light. This book aids readers in studying both subjects, which involve nearly the entire gamut of the fundamental laws of classical as well as modern physics. Where traditional introductory physics and courses are styled so that the basic principles are introduced first and are then applied wherever possible, this book is based on a motivational approach: it introduces a subject by demonstrating a set of related phenomena, challenging readers by calling for a physical basis for what is observed.The Physics of Music and Color is written at level suitable for college students without any scientific background, requiring only simple algebra and a passing familiarity with trigonometry. It contains numerous problems at the end of each chapter that help the reader to fully grasp the subject.mehr
Verfügbare Formate
BuchKartoniert, Paperback
EUR109,99
BuchGebunden
EUR96,29
BuchGebunden
EUR129,99
BuchKartoniert, Paperback
EUR69,54
E-BookPDF1 - PDF WatermarkE-Book
EUR106,99
E-BookPDF1 - PDF WatermarkE-Book
EUR69,54

Produkt

KlappentextThe Physics of Music and Color deals with two subjects, music and color - sound and light in the physically objective sense - in a single volume. The basic underlying physical principles of the two subjects overlap greatly: both music and color are manifestations of wave phenomena, and commonalities exist as to the production, transmission, and detection of sound and light. This book aids readers in studying both subjects, which involve nearly the entire gamut of the fundamental laws of classical as well as modern physics. Where traditional introductory physics and courses are styled so that the basic principles are introduced first and are then applied wherever possible, this book is based on a motivational approach: it introduces a subject by demonstrating a set of related phenomena, challenging readers by calling for a physical basis for what is observed.The Physics of Music and Color is written at level suitable for college students without any scientific background, requiring only simple algebra and a passing familiarity with trigonometry. It contains numerous problems at the end of each chapter that help the reader to fully grasp the subject.
ZusammenfassungThe Physics of Music and Color deals with music and color - e.g. sound and light in the physically objective sense - in one cohesive volume. This text aids readers in studying both subjects, which involve nearly the entire gamut of the fundamental laws of classical as well as modern physics.
Details
ISBN/GTIN978-1-4614-0556-6
ProduktartBuch
EinbandartGebunden
Verlag
Erscheinungsjahr2011
Erscheinungsdatum22.09.2011
Seiten540 Seiten
SpracheEnglisch
Gewicht1002 g
Illustrationen249 SW-Abb., 115 Farbabb.,
Artikel-Nr.10410119

Inhalt/Kritik

Inhaltsverzeichnis
Preface.- Introductory Remarks.- The Vibrating String.- The Vibrating Air Column.- Energy.- Electricity, Magnetism, and Electromagnetic Waves.- The Atom as a Source of Light.- The Principle of Superposition.- Propagation Phenomena.- The Ear.- Psychoacoustics.- Tuning, Intonation, and Temperament - Chooising Frequencies for Musican Notes.- The Eye.- Characterizing Light Sources, Color Filters and Pigments.- Theory of Color Vision.- Appendices.mehr

Autor

Leon Gunther has been on the Physics Department faculty at Tufts University since 1965. He got his PhD in Physics from MIT in 1964 and has published over 100 articles, the vast majority being in the field of Condensed Matter Theory. Having begun studies of the violin at the age of seven, he has played in numerous Community Symphony Orchestras, most notably the Newton Symphony, where he was the principal second violinist for ten years, from 1974-1984. In 1994, he founded the community chorus of Temple Emunah in Lexington, MA, known as the Mak'haylah. Programs include music of a wide range of genres - folk, liturgical, and classical. His compositions and arrangements include Hebrew renditions of three movements of the Brahms Requiem.
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