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Transformation and Tradition in 1960s British Cinema

BuchGebunden
416 Seiten
Englisch
Edinburgh University Presserschienen am31.05.2019
Making substantial use of new and underexplored archive resources that provide a wealth of information and insight on the period in question, this book offers a fresh perspective on the major resurgence of creativity and international appeal experienced by British cinema in the 1960s.mehr
Verfügbare Formate
BuchGebunden
EUR137,50
TaschenbuchKartoniert, Paperback
EUR39,50
E-BookEPUBDRM AdobeE-Book
EUR32,49

Produkt

KlappentextMaking substantial use of new and underexplored archive resources that provide a wealth of information and insight on the period in question, this book offers a fresh perspective on the major resurgence of creativity and international appeal experienced by British cinema in the 1960s.
Details
ISBN/GTIN978-1-4744-2311-3
ProduktartBuch
EinbandartGebunden
FormatGenäht
Erscheinungsjahr2019
Erscheinungsdatum31.05.2019
Seiten416 Seiten
SpracheEnglisch
MasseBreite 163 mm, Höhe 234 mm, Dicke 25 mm
Gewicht862 g
Artikel-Nr.48239866
Rubriken
GenreGeschichte/Politik

Inhalt/Kritik

Inhaltsverzeichnis
Introduction, Duncan Petrie and Melanie Williams

PART ONE: STRUCTURES AND COMPANIES
Chapter 1: Distribution and Production: The British Majors, Duncan Petrie
Chapter 2: American Involvement in UK Production, Duncan Petrie
Chapter 3: Public Support in a Changing Climate, Duncan Petrie
Chapter 4: The Vertically Integrated Independent, Laura Mayne
Chapter 5: Low Budget Independent Production, Laura Mayne

PART TWO: CREATIVE AGENCY
Chapter 6: Screenwriting, Melanie Williams
Chapter 7: Directing, Melanie Williams
Chapter 8: Production Design, Melanie Williams
Chapter 9: Costume Design, Melanie Williams
Chapter 10: Cinematography, Duncan Petrie and Melanie Williams
Chapter 11: Editing, Melanie Williams

PART THREE: MEDIA CONVERGENCE
Chapter 12: Film and Television, Richard Farmer
Chapter 13: Film and TV Advertising, Richard Farmer
Chapter 14: Film and Pop Music, Richard Farmer

Conclusion
Appendix
Bibliographymehr

Autor

Richard Farmer is Lecturer in Film and Media at the University of East Anglia. He has published widely on British cinema and is the author of two monographs: The Food Companions: Cinema and Consumption in Wartime Britain, 1939-45 (2011) and Cinemas and Cinemagoing in Wartime Britain, 1939-45: The Utility Dream Palace (2016).

Laura Mayne is an Associate Lecturer at the University of York. Her research specialism is in post-war British cinema with an emphasis on industrial history, institutional practices and production cultures, and she has published widely on these subjects. She is currently working on her first monograph, titled Slumdogs and Millionaires: The Story of Film4.

Duncan Petrie is Professor of Film at the University of York. His publications include Creativity and Constraint in the British Film Industry (1991), The British Cinematographer (1996), Screening Scotland (2000), Contemporary Scottish Fictions (2004), Shot in New Zealand (2007) and Educating Film-Makers (2014).

Melanie Williams is Reader in Film and Television Studies at the University of East Anglia. Her publications include the monographs David Lean (2014) and Female Stars of British Cinema (2017) and the co-edited collections British Women's Cinema (2009) and Ealing Revisited (2012).