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Performing Conversion

Cities, Theatre and Early Modern Transformations
BuchGebunden
216 Seiten
Englisch
Edinburgh University Presserschienen am31.03.2021
This volume asks, how did theatrical practice shape the multiplying forms of conversion that emerged in early modern Europe?mehr
Verfügbare Formate
BuchGebunden
EUR130,50
TaschenbuchKartoniert, Paperback
EUR31,00
E-BookPDFDRM AdobeE-Book
EUR21,99
E-BookEPUBDRM AdobeE-Book
EUR21,99

Produkt

KlappentextThis volume asks, how did theatrical practice shape the multiplying forms of conversion that emerged in early modern Europe?
Details
ISBN/GTIN978-1-4744-8272-1
ProduktartBuch
EinbandartGebunden
FormatGenäht
Erscheinungsjahr2021
Erscheinungsdatum31.03.2021
Seiten216 Seiten
SpracheEnglisch
MasseBreite 156 mm, Höhe 234 mm, Dicke 14 mm
Gewicht485 g
Artikel-Nr.57766057

Inhalt/Kritik

Inhaltsverzeichnis
Acknowledgements; Introduction: Conversion, Cities and Theatre in the Early Modern World; 1. The Converted City: Venice, Iain Fenlon; 2. Turnings: Motion and Emotion in the Labyrinths of Early Modern Amsterdam, Angela Vanhaelen; 3. Francisco Cervantes de Salazar's Mexico City in 1554: A Dramaturgy of Conversion, José-Juan López-Portillo; 4. Conversional Thinking and the London Stage, Stephen Wittek; 5. Religious Drama and the Polemics of Conversion in Madrid, José R. Jouve-Martín; 6. Theatre and Conversion in Early Modern Zürich, Berne and Lucerne, Elke Huwiler; 7. Conversional Economies: Thomas Middleton's Chaste Maid in Cheapside, Paul Yachnin; Coda: Performing Conversion in an Early Modern Future, Stephen Wittek; Index.mehr

Autor

José R. Jouve Martin is Professor of Hispanic Studies and Chair of the Department of Languages, Literatures, and Cultures at McGill University. He is the author of the books Slaves of the Lettered City (2005) and The Black Doctors of Colonial Lima: Science, Race, and Writing in Colonial and Early Republican Peru (2014). He has co-edited the volumes The Constitution of the Hispanic Baroque (2008), From the Baroque to the Neo-Baroque: Cultural Realities and Cultural Transfers (2011), Contemporary Debates in Ecology, Culture, and Society in Latin America (2011), and Culture Policy and Cultural Markets in Latin America (2013).

Stephen Wittek is Assistant Professor of Literature at Carnegie Mellon University in Pittsburgh, PA. His research focuses on the media of conversion and the early modern English stage. He is the author of The Media Players: Shakespeare, Middleton, Jonson, and the Idea of News (University of Michigan Press, 2015). Other projects of note include a new edition of The Merchant of Venice for Internet Shakespeare Editions (co-edited with Janelle Jenstad) and the digital humanities project, DREaM, a database that indexes 44,000+ early modern texts, thus making long-neglected material more amenable for use with large-scale analytical tools (with Stéfan Sinclair and Matt Milner).
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