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The Supernatural Sublime

The Wondrous Ineffability of the Everyday in Films from Mexico and Spain
BuchGebunden
318 Seiten
Englisch
Nebraskaerschienen am01.07.2019
Explores the long-neglected element of the supernatural in films from Spain and Mexico by focusing on the social and cultural contexts of their production and reception, their adaptations of codes and conventions for characters and plot, and their use of cinematic techniques to create the experience of emotion without explanation.mehr
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EUR57,50
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Produkt

KlappentextExplores the long-neglected element of the supernatural in films from Spain and Mexico by focusing on the social and cultural contexts of their production and reception, their adaptations of codes and conventions for characters and plot, and their use of cinematic techniques to create the experience of emotion without explanation.
Details
ISBN/GTIN978-1-4962-1424-9
ProduktartBuch
EinbandartGebunden
FormatGenäht
Verlag
Erscheinungsjahr2019
Erscheinungsdatum01.07.2019
Seiten318 Seiten
SpracheEnglisch
MasseBreite 152 mm, Höhe 229 mm, Dicke 22 mm
Gewicht635 g
Artikel-Nr.49776424

Inhalt/Kritik

Inhaltsverzeichnis
IllustrationsAcknowledgmentsIntroductionChapter 1: Porous Landscapes of the Modern World: The Witch as Sublime IntruderChapter 2: Haunted Houses: Inheriting the SupernaturalChapter 3: The Fascination and Danger of Schools for GirlsChapter 4: A Desperate Longing for Order: The Masks of InnocenceChapter 5: Patterns of Temporal Terror: A Repetition Compulsion?Conclusion: Sublime AfterimagesBibliographymehr

Autor

Raúl Rodríguez-Hernández is an associate professor of Spanish, comparative literature, and film and media studies at the University of Rochester. He is the author of Mexico's Ruins: Juan Garcia Ponce and the Writing of Modernity. Claudia Schaefer is the Rush Rhees Chair and a professor of Spanish, comparative literature, and film and media studies at the University of Rochester. She is the author of several books, including Lens, Laboratory, Landscape: Observing Modern Spain and Bored to Distraction: Cinema of Excess in End-of-the-Century Mexico and Spain.
 

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