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Screening the Nonhuman

Representations of Animal Others in the Media
BuchKartoniert, Paperback
Englisch
RLPG/Galleyserschienen am06.11.2018
This collection draws connections between the ways in which animals represented on screen translate into reality. In doing so, it demonstrates that media consumption is not a neutral act but, rather, a political one. The images humans consume have real-world consequences for how animals are treated as actors, as pets, and in nature.mehr
Verfügbare Formate
BuchGebunden
EUR139,40
BuchKartoniert, Paperback
EUR61,40

Produkt

KlappentextThis collection draws connections between the ways in which animals represented on screen translate into reality. In doing so, it demonstrates that media consumption is not a neutral act but, rather, a political one. The images humans consume have real-world consequences for how animals are treated as actors, as pets, and in nature.
Details
ISBN/GTIN978-1-4985-1376-0
ProduktartBuch
EinbandartKartoniert, Paperback
Erscheinungsjahr2018
Erscheinungsdatum06.11.2018
ReiheCritical Animal Studies and Theory
SpracheEnglisch
MasseBreite 152 mm, Höhe 229 mm, Dicke 14 mm
Gewicht393 g
Artikel-Nr.49547718

Inhalt/Kritik

Inhaltsverzeichnis
Introduction: Critical Media Studies and Critical Animal Studies at the Crossroads, Amber George and J.L. SchatzPart IChapter One: The Brown Wizard´s Unexpected Politics: Speciesist Fiction and the Ethics of The Hobbit, J.L. SchatzChapter Two: The Passing Faerie and the Transforming Raven: Animalized Compulsory Re-covery, Endurance, and Dis/ability in Maleficent, Jennifer PolishChapter Three: Jabbering Jaws: Reimagining Representations of Sharks Post-Jaws, Matthew LerbergChapter Four: Horseplay: Beastly Cinematic Performances in Steven Spielberg´s War Horse, Stella HockenhullChapter Five: Would Bugs Bunny Have Diabetes?: The Realistic Consequences of Cartoons for Non/Human Animals, Amber E. GeorgePart IIChapter Six: I Am Legend (2007), U.S. Imperialism, and the Liminal Animality of The Last Man, Carter SolesChapter Seven: Ape Anxiety: Intelligence, Human Supremacy, and Rise and Dawn of the Planet of the Apes, Sean ParsonChapter Eight: The Vicious Cycle of Disnification and Audience Demands: Representations of the Non/Human in Martin Rosen´s Watership Down (1978) and The Plague Dogs (1982), Anja Höing & Harald HusemannChapter Nine: The Nature-Run-Amok Cinema of the 1970s: Representation of Non/human Animals in Frogs and Orca, Fernando Gabriel Pagnoni Berns and César Alfonso MarinoPart IIIChapter Ten: Cyberbeasts: Substitution and Trivialization of the Non/Human Animal in Home Movies, Memes, and Video Games, Joseph AndertonChapter Eleven: Pet-Animals in the Concrete Jungle: Tales of Abandonment, Failures, and Sentimentality in San Hua and Twelve Nights, Fiona Yuk-wa LawChapter Twelve: In Defense of Non/Humans: Mystification and Oppression in the Sports Mascoting Process, Guilherme Nothen and Michael AtkinsonChapter Thirteen: On Empathy, Anthropocentrism, and Rhetorical Tropes: An Analysis of Online Save the Bees! Campaign Images, Christina Victoria Cedillomehr

Autor

Edited by Amber E. George and J.L. Schatz - Contributions by Joseph Anderton; Michael Atkinson; Fernando Pagnoni Berns; Christina Victoria Cedillo; Amber E. George; Stella Hockenhull; Anja Höing; am Husemann; Fiona Yuk-wa Law; Matthew Lerberg; César Marin