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The Inner Voice in Gadamer's Hermeneutics

Mediating Between Modes of Cognition in the Humanities and Sciences
BuchGebunden
Englisch
RLPG/Galleyserschienen am21.07.2017
The inner word in Gadamer´s hermeneutics refers to the meaning that exceeds anything explicitly said. This explanation has been subsumed within metaphysical and theological parameters of interpretation with little regard for the implication of Gadamer´s turn to the living language for understanding the inner word. Through examining his phenomenology of the inner word, The Inner Voice in Gadamer´s Hermeneutics reveals its musical (rhythmic and tonal) dimensions and how they function to harmonize disparate orientations in the middle voice, above all for Gadamer, those that underlie modes of cognition in both the humanities and the sciences-a visual and auditory ethos. However, understood as constituting the music of language discernible in the middle voice, the inner word is also suppressed or forgotten by the technological extension of sight-that is, print-and thus requires a turn of the inner ear or auditory disposition. Andrew Fuyarchuk assesses theories of language in evolutionary and cognitive science in light of Gadamer´s insights into the nature of thought, and he employs them to account for a dimension of language that is inscribed in the lingual minds of our species. When recalled by the inner ear, this dimension enables us to think such opposites together as we find in the humanities and sciences together. This thinking together is expressed in a double account of an object of inquiry, such as the one Fuyarchuk puts forward about the inner word in Gadamer´s philosophical hermeneutics.mehr

Produkt

KlappentextThe inner word in Gadamer´s hermeneutics refers to the meaning that exceeds anything explicitly said. This explanation has been subsumed within metaphysical and theological parameters of interpretation with little regard for the implication of Gadamer´s turn to the living language for understanding the inner word. Through examining his phenomenology of the inner word, The Inner Voice in Gadamer´s Hermeneutics reveals its musical (rhythmic and tonal) dimensions and how they function to harmonize disparate orientations in the middle voice, above all for Gadamer, those that underlie modes of cognition in both the humanities and the sciences-a visual and auditory ethos. However, understood as constituting the music of language discernible in the middle voice, the inner word is also suppressed or forgotten by the technological extension of sight-that is, print-and thus requires a turn of the inner ear or auditory disposition. Andrew Fuyarchuk assesses theories of language in evolutionary and cognitive science in light of Gadamer´s insights into the nature of thought, and he employs them to account for a dimension of language that is inscribed in the lingual minds of our species. When recalled by the inner ear, this dimension enables us to think such opposites together as we find in the humanities and sciences together. This thinking together is expressed in a double account of an object of inquiry, such as the one Fuyarchuk puts forward about the inner word in Gadamer´s philosophical hermeneutics.
Details
ISBN/GTIN978-1-4985-4705-5
ProduktartBuch
EinbandartGebunden
Erscheinungsjahr2017
Erscheinungsdatum21.07.2017
SpracheEnglisch
MasseBreite 157 mm, Höhe 235 mm, Dicke 21 mm
Gewicht614 g
Artikel-Nr.42942130

Inhalt/Kritik

Inhaltsverzeichnis
Part One: From the Inner Word to the Inner VoiceChapter One: Gadamer the Post-ModernChapter Two: Folk Intuitions about the Embodied WordChapter Three: The Inner Voice and the DivineChapter Four: Event of LanguageChapter Five: Recollection and the Pythagorean-PlatoChapter Six: Gadamer and HelmholtzPart Two: Hermeneutics and Science: Dialogical IntegrationChapter Seven: The Problem RenewedChapter Eight: Gadamer, Mithen, DonaldChapter Nine: The Inner Voice and Non-Manipulative HmmmmBibliographymehr

Autor

Andrew Fuyarchuk is an instructor of philosophy at Sheridan College and a PhD candidate at the Institute for Christian Studies in Toronto. He has published on Nietzsche's Zarathustra, Wagner's Tristan and Isolde, and Religion and Liberal Democracy in the Journal for the Fellowship of Catholic Scholars (Canadian chapter).