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Einband grossMusical New Media
ISBN/GTIN

Musical New Media

Björk's Biophilia App and Music in Extended Reality
BuchGebunden
208 Seiten
Englisch
Taylor & Francis Ltd (Sales)erscheint am01.05.2025
Recorded music creation and consumption underwent a huge shift in the first two decades of the twentieth century: from physical artifacts to digital; from fixed personal computers to mobile devices; from downloading and owning to streaming and access. This had a significant impact on the music 'assemblage´ - the audio, performances, videos, films, books, games - that make up what we think of as music´, and gave rise to new forms of musical new media.. Björk's Biophilia, widely acclaimed as the first app album´, is one response to this context. Drawing on her direct experience as part of the creative team who made Biophilia musicologist Nicola Dibben investigates how popular music practices intersect with digital technologies at their moment of emergence in two domains: music software applications ( apps´) for touchscreen technologies of tablet computer and smartphone, and in extended reality. She shows the way these new media formats maintain musical traditions as much as they innovate, explores the future of the album as a musical artifact in the digital age, and identifies emerging new music forms and engagements which may come to define our digital musical futures.mehr
Verfügbare Formate
BuchGebunden
EUR130,50
TaschenbuchKartoniert, Paperback
EUR33,00

Produkt

KlappentextRecorded music creation and consumption underwent a huge shift in the first two decades of the twentieth century: from physical artifacts to digital; from fixed personal computers to mobile devices; from downloading and owning to streaming and access. This had a significant impact on the music 'assemblage´ - the audio, performances, videos, films, books, games - that make up what we think of as music´, and gave rise to new forms of musical new media.. Björk's Biophilia, widely acclaimed as the first app album´, is one response to this context. Drawing on her direct experience as part of the creative team who made Biophilia musicologist Nicola Dibben investigates how popular music practices intersect with digital technologies at their moment of emergence in two domains: music software applications ( apps´) for touchscreen technologies of tablet computer and smartphone, and in extended reality. She shows the way these new media formats maintain musical traditions as much as they innovate, explores the future of the album as a musical artifact in the digital age, and identifies emerging new music forms and engagements which may come to define our digital musical futures.
Details
ISBN/GTIN978-1-5013-3157-2
ProduktartBuch
EinbandartGebunden
FormatGenäht
Erscheinungsjahr2025
Erscheinungsdatum01.05.2025
Seiten208 Seiten
SpracheEnglisch
MasseBreite 152 mm, Höhe 229 mm, Dicke 25 mm
Gewicht454 g
Artikel-Nr.57956788

Inhalt/Kritik

Inhaltsverzeichnis
1. IntroductionPART 1 The backgroundInterlude I - Cosmogony2. The Industry Context to BiophiliaInterlude II - Crystalline3. The Creative Context to BiophiliaInterlude III - Dark Matter, HollowPART 2 Imagining and MakingInterlude IV - Moon4. The SongsInterlude V - Mutual Core5. The InstrumentsInterlude VI - Sacrifice6. The AppsInterlude VII - SolsticePART 3 ConsequencesInterlude VI - Thunderbolt7. Educating and entertainingInterlude VII - Virus8. Conclusion Biophilia´ s Contributionmehr

Autor

Nicola Dibben is Senior Lecturer in Music at the University of Sheffield, UK, co-editor of the journal Empirical Musicology Review, and former co-ordinating editor of Popular Music. Her research addresses music, mind, and culture with a focus on the science and psychology of music and on popular music studies. She has published over 40 journal articles and book chapters, and is the author of Björk (2009) and co-authored Music and Mind in Everyday Life (2010). She collaborated with Björk on the artist's multi-media app album, Biophilia (2011).