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Owning the Masters

A History of Sound Recording Copyright
BuchKartoniert, Paperback
256 Seiten
Englisch
Bloomsbury Publishing PLCerschienen am15.12.2022
Owning the Masters provides the first in-depth history of sound recording copyright. It is this form of intellectual property that underpins the workings of the recording industry. Rather than being focused on the manufacture of goods, this industry is centred on the creation, exploitation and protection of rights. The development and control of these rights has not been straightforward. This book explores the lobbying activities of record companies: the principal creators, owners and defenders of sound recording copyright. It addresses the counter-activity of recording artists, in particular those who have fought against the legislative and contractual practices of record companies to claim these master rights for themselves. In addition, this book looks at the activities of the listening public, large numbers of whom have been labelled pirates´ for trespassing on these rights. The public has played its own part in shaping copyright legislation. This is an essential subject for an understanding of the economic, artistic and political value of recorded sound.mehr
Verfügbare Formate
BuchKartoniert, Paperback
EUR29,50
BuchGebunden
EUR91,00
E-BookPDFDRM AdobeE-Book
EUR23,99
E-BookEPUBDRM AdobeE-Book
EUR23,99

Produkt

KlappentextOwning the Masters provides the first in-depth history of sound recording copyright. It is this form of intellectual property that underpins the workings of the recording industry. Rather than being focused on the manufacture of goods, this industry is centred on the creation, exploitation and protection of rights. The development and control of these rights has not been straightforward. This book explores the lobbying activities of record companies: the principal creators, owners and defenders of sound recording copyright. It addresses the counter-activity of recording artists, in particular those who have fought against the legislative and contractual practices of record companies to claim these master rights for themselves. In addition, this book looks at the activities of the listening public, large numbers of whom have been labelled pirates´ for trespassing on these rights. The public has played its own part in shaping copyright legislation. This is an essential subject for an understanding of the economic, artistic and political value of recorded sound.
Details
ISBN/GTIN978-1-5013-4590-6
ProduktartBuch
EinbandartKartoniert, Paperback
Erscheinungsjahr2022
Erscheinungsdatum15.12.2022
Seiten256 Seiten
SpracheEnglisch
MasseBreite 156 mm, Höhe 227 mm, Dicke 20 mm
Gewicht388 g
Artikel-Nr.58893151

Inhalt/Kritik

Inhaltsverzeichnis
AcknowledgementsIntroduction1. Mechanizing2. Performing3. Producing4. Expanding5. Justifying6. Networking7. OwningGlossaryTimelineBibliographyIndexmehr