Hugendubel.info - Die B2B Online-Buchhandlung 

Merkliste
Die Merkliste ist leer.
Bitte warten - die Druckansicht der Seite wird vorbereitet.
Der Druckdialog öffnet sich, sobald die Seite vollständig geladen wurde.
Sollte die Druckvorschau unvollständig sein, bitte schliessen und "Erneut drucken" wählen.
Einband grossFrom Heidegger to Performance
ISBN/GTIN

From Heidegger to Performance

BuchGebunden
192 Seiten
Englisch
Rowman & Littlefielderscheint am17.12.2024
Heidegger and Performance explores convergences, direct or indirect, conscious or unconscious, between Heidegger's work and ideas of performance and performativity. Its central provocation is to replace the word 'being' with 'performance' and interpret through Heidegger, new ways of understanding both terms.mehr

Produkt

KlappentextHeidegger and Performance explores convergences, direct or indirect, conscious or unconscious, between Heidegger's work and ideas of performance and performativity. Its central provocation is to replace the word 'being' with 'performance' and interpret through Heidegger, new ways of understanding both terms.
Details
ISBN/GTIN978-1-5381-6845-5
ProduktartBuch
EinbandartGebunden
Erscheinungsjahr2024
Erscheinungsdatum17.12.2024
Seiten192 Seiten
SpracheEnglisch
MasseBreite 152 mm, Höhe 229 mm
Artikel-Nr.58563918

Inhalt/Kritik

Inhaltsverzeichnis
Introduction (Marie Hay and Martin Leach)

I. Heidegger and the Idea of Performativity

'Entering the fundamental occurrence: the essential step' (Stuart Grant, Monash University, Australia)

II. Performance and temporality

'Heidegger's Augenblick and the Ephemerality of the Dance' (Catherine F. Botha, University of Johannesburg, South Africa)

'Dancing and Reading Time and Being: Rethinking the performer's techn¿ in the age of nonmimetic performance' (Kirsti Monni, University of the Arts, Helsinki, Finland)

III. Performance and entanglement

'Heideggerian Care and Relational Performance: Solicitude, Curiosity, Care and Machination' (Paul Geary, Independent scholar, UK)

IV. Performance and unconcealment

'Misfitness: Poetics of the Clown and Principles of Practice' (Marcelo de Almeida Libanio, Circo Teatro Udigrudi, Brazil)

'They Rock: Post-script for the drama of becoming unhomely' (Hester Reeve, Sheffield Hallam University, UK)

V. Performance and attunement

'Active Affection: Heidegger's Account of Performativity as Middle-Voice' (Lucilla Guidi, University of Dresden, Germany)

Conclusion: Heidegger's performative legacymehr

Autor

Martin Leach is senior lecturer of Performance Studies at De Montfort University where he teaches anatomy, physiology and philosophy to dance students.

Marie Hay is senior lecturer in Dance in the School of Humanities and Performing Arts and part of the Centre for Interdisciplinary Research in Dance at De Montfort University.